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Atto Terzo Quadro I (Una stanza da studio nell'abitazione di Anckarström. Sovra un caminetto di fianco due vasi di bronzo, rimpetto a cui la biblioteca. Nel fondo v'ha unmagnifico ritratto del re Gustavo in piedi, e, nel mezzo della scena, una travola.) (Entrano Anckarström a Amelia.) ▼ANCKARSTRÖM▲ (deposta la spada e chiusa la porta) A tal colpa é nulla il pianto, Non la terge e non la scusa. Ogni prece é vana ormai; Sangue vuolsi, e tu morrai. ▼AMELIA▲ Ma se reo, se reo soltanto È l'indizio che m'accusa? ▼ANCKARSTRÖM▲ Taci, adultera! ▼AMELIA▲ Gran Dio! ▼ANCKARSTRÖM▲ Chiedi a lui misericordia. ▼AMELIA▲ E ti basta un sol sospetto? E vuoi dunque il sangue mio? E m'infami, e più non senti Né giustizia, né pietà? ▼ANCKARSTRÖM▲ Sangue vuolsi, e tu morrai. ▼AMELIA▲ Un istante, é ver l'amai Ma il tuo nome non macchiai. Sallo Iddio, che nel mio petto Mai non arse indegno affetto. ▼ANCKARSTRÖM▲ (ripigliando la spada) Hai finito? Tardi é omai… Sangue vuolsi, e tu morrai. ▼AMELIA▲ Ah! mi sveni!… ebbene sia… Ma una grazia… ▼ANCKARSTRÖM▲ Non a me. La tua prece al ciel rivolgi. ▼AMELIA▲ (genuflessa) Solo un detto ancora a te. M'odi, l'ultimo sarà. Morró, ma prima in grazia, Deh! mi consenti almeno L'unico figlio mio Avvincere al mio seno. E se alla moglie nieghi Quest'ultimo favor, Non rifiutarlo ai prieghi Del mio materno cor. Morrò, ma queste viscere Consolino i suoi baci, Or che l'estrema é giunta Dell'ore mie fugaci. Spenta per man del padre, La man ei stenderà Sugli occhi d'una madre Che mai più non vedrà! ▼ANCKARSTRÖM▲ (additandole, senza guardarla, un uscio) Alzati; là tuo figlio A te concedo riveder. Nell'ombra E nel silenzio, là, Il tuo rossore e l'onta mia nascondi. (Amelia esce.) Non é su lei, nel suo Fragile petto che colpir degg'io. Altro, ben altro sangue a terger déssi L'offesa!… (fissando il ritratto) Il sangue tuo! E lo trarrà il pugnale Dallo sleal tuo core, Delle lagrime mie vendicator! Eri tu che macchiavi quell'anima, La delzia dell'anima mia; Che m'affidi e d'un tratto esecrabile L'universo avveleni per me! Traditor! che compensi in tal guisa Dell'amico tuo primo la fé! O dolcezze perdute! O memorie D'un amplesso che l'essere india!… Quando Amelia sì bella, sì candida Sul mio seno brillava d'amor! È finita, non siede che l'odio E la morte nel vedovo cor! O dolcezze perdute, o speranze d'amor! (Horn e Ribbing entrano salutando Anckarström freddamente.) ▼ANCKARSTRÖM▲ Siam soli. Udite. Ogni desgno vostro M' é noto. Voi di Gustavo la morte Volete. ▼RIBBING▲ È un sogno. ▼ANCKARSTRÖM▲ (mostrando alcune carte che ha sul tavolo) Ho qui le prove! ▼HORN▲ (fremendo) Ed ora la trama al re tu svelerai? ▼ANCKARSTRÖM▲ No, voglio dividerla. ▼HORN E RIBBING▲ Tu scherzi. ▼ANCKARSTRÖM▲ E non co' detti Ma qui col fatto struggerò i sospetti. Io son vostro, compagno m'avrete Senza posa a quest'opra di sangue. Se vi manco. ▼HORN▲ Ma tal mutamento È credibile appena. ▼ANCKARSTRÖM▲ Qual fu la cagion non cercate. Son vostro per la vita dell'unico figlio! ▼HORN▲ Ei non mente. ▼RIBBING▲ No, non mente. ▼ANCKARSTRÖM▲ Esitate? ▼HORN E RIBBING▲ Non più. ▼ANCKARSTRÖM▲ Non più. ▼ANCKARSTRÖM, HORN, RIBBING▲ Dunque l'onta di tutti sol una, Uno il cor, la vendetta sarà, Che tremenda, repente, digiuna Su quel capo esecrato cadrà! ▼ANCKARSTRÖM▲ D'una grazia vi supplico. ▼HORN▲ E quale? ▼ANCKARSTRÖM▲ Che sia dato d'ucciderlo a me. ▼HORN▲ No, Anckarström l'avito castello A me tolse, e tal dritto a me spetta. ▼RIBBING▲ Ed a me cui spegneva il fratello, Cui decenne agonia di vendetta Senza requie divora, qual parte Assegnaste? ▼ANCKARSTRÖM▲ Chetatevi, solo Qui la sorte decidere de'. (Prende un vaso dal camino e lo colloca sulla tavola. Horn scrive tre nomi e vi getta dentro ibiglietti. Entra Amelia.) E chi viene? (incontrandola) Tu?… ▼AMELIA▲ V'é Oscarre che porta Un invito del sire. ▼ANCKARSTRÖM▲ (fremente) Di lui!… Che m'aspetti. (ad Amelia) E tu resta, lo dêi Poi che parmi che il cielo t'ha scorta. ▼AMELIA▲ (Qual tristezza m'assale, qual pena! Qual terribile lampo balena!) ▼ANCKARSTRÖM▲ (additando sua moglie a Horn e Ribbing) Nulla sa non temete. Costei Esser debbe anzi l'auspice lieto. (ad Amelia traendola verso la tavola) V'ha tre nomi in quell'urna un ne tragga L'innocente tua mano. ▼AMELIA▲ (tremante) E perche? ▼ANCKARSTRÖM▲ (fulminandola con lo sguardo) Obbedisci non chieder di più. ▼AMELIA▲ (Non é dubbio; il feroce decreto Mi vuol parte ad un'opra di sangue.) (Con mano tremante estrae dal vaso un biglietto che suo marito passa a Horn.) ▼ANCKARSTRÖM▲ Qual é dunque l'eletto? ▼HORN▲ (con dolore) Renato. ▼ANCKARSTRÖM▲ (con esalatazione) Il mio nome! O giustizia del fato; La vendetta mi deleghi tu! ▼AMELIA▲ (Di Gustavo la morte si vuole! Non celâr le crudeli parole! Su quel capo snudati dall'ira I lor ferri scintillano già!) ▼ANCKARSTRÖM, HORN, RIBBING▲ Sconterà della patria il pianto Lo sleal che ne fece suo vanto. Se traffisse, soccomba trafitto, Tal mercede pagata gli va! ▼ANCKARSTRÖM▲ (alla porta) Il messaggio entri. (Entra Oscar.) ▼OSCAR▲ (verso Amelia) Alle danze questa sera, se gradite, Con lo sposo, il mio signore Vi desidera… ▼AMELIA▲ (turbata) Nol posso. ▼ANCKARSTRÖM▲ Anche il sire vi sarà? ▼OSCAR▲ Certo. ▼HORN E RIBBING▲ (fra loro) O sorte! ▼ANCKARSTRÖM▲ (al paggio, ma guardando i compagni) Tanto invito so che valga. ▼OSCAR▲ È un ballo in maschera Splendidissimo! ▼ANCKARSTRÖM▲ Benissimo! (accennando Amelia) Ella meco interverrà. ▼AMELIA▲ (Gran Dio!) ▼HORN E RIBBING▲ (fra loro) E noi pur, se da quell'abito Più spedito il colpo va. ▼OSCAR▲ Ah! di che fulgor, che musiche Esulteran le soglie, Ove di tante giovani Bellezze il fior s'accoglie, Di quante altrice palpita Questa gentil città! ▼AMELIA▲ (Ed io medesma, io misera, Lo scritto inesorato Trassi dall'unra complice, Pel mio consorte irato Su cui del cor più nobile Ferma la morte sta.) ▼ANCKARSTRÖM▲ (Là fra le danze esanime La mente mia sel pinge… Ove del proprio sangue Il pavimento tinge. Spira, dator d'infamie, Senza trovar pietà.) ▼HORN E RIBBING▲ (fra loro) Una vendetta in domino È ciò che torna all'uopo. Fra l'urto delle maschere Non fallirà lo scopo; Sarà una danza funebre Con pallide beltà. ▼AMELIA▲ (Prevenirlo potessi, e non tradir Lo sposo mio!) ▼OSCAR▲ Regina della festa sarete. ▼AMELIA▲ (Forse potrallo Ulrica.) (frattanto Anckarström, Horn e Ribbing rapidamente in disparte) ▼HORN E RIBBING▲ E qual costume indosserem? ▼ANCKARSTRÖM▲ Azzurra la veste, e da vermiglio Nastro le ciarpe al manco lato attorte. ▼HORN E RIBBING▲ E qual accento a ravvisarci? ▼ANCKARSTRÖM▲ (sottovoce) "Morte!" ▼AMELIA▲ (Prevenirlo potessi!) ▼OSCAR▲ Regina sarete! ▼ANCKARSTRÖM, HORN, RIBBING▲ Morte! Quadro II (Tavola coll'occorrente per iscrivere; nel fondo un grancortinaggio che scoprirà la festa da ballo.) ▼GUSTAVO▲ (solo) Forse la soglia attinse, E posa alfin. L'onore Ed il dover fra i nostri petti han rotto L'abisso. Ah, sì, Renato Rivedrà la sua patria… e la sua sposa Lo seguirà Senza un addio, l'immenso Mar ne sepàari… e taccia il core. (Scrive e nel momento di apporre la firma lascia cader la penna.) Esito ancor? ma, o ciel, non lo degg'io? (Sottoscrive e chiude il foglio in seno.) Ah, l'ho segnato il sacrifizio mio! Ma se m'é forza perderti Per sempre, o luce mia, A te verrà il mio palpito Sotto qual ciel tu sia. Chiusa la tua memoria Nell'intimo del cor. Ed or qual reo presagio Lo spirito m'assale, Che il rivederti annunzia Quasi un desio fatale… Come se fosse l'ultima Ora del nostro amor? (musica di dentro) Ah! dessa é là… potrei vederla… ancora Riparlarle potrei… Ma no ché tutto or mi strappa da lei. (Oscar entra con un foglio in mano.) ▼OSCAR▲ Ignota donna questo foglio diemmi. È pel sire, diss'ella; a lui lo reca E di celato. (Gustavo legge il foglio.) ▼GUSTAVO▲ (dopo letto) Che nel ballo alcuno Alla mia vita attenterà, sta detto. Ma se m'arresto, Ch'io pavento diran. Nol vo' nessuno Pur sospettarlo de'. Tu va t'appresta, E ratto per gioir meco alla festa. (Oscar esce; Gustavo rimasto solo vivamente prorompe ) Sì, rivederti, Amelia, E nella tua beltà, Anco una volta l'anima D'amor mi brillerà. Quadro III (Già all'aprirsi delle cortine una moltitudine d'invitatiempie la scena. Il maggior numero é in maschera, alcuni in domino, altri in costume digala a viso scoperto. Chi va in traccia, chi evita, chi ossequia e chi persegue. Tutto spiramagnificenza ed ilarità.) ▼CORO▲ Fervono amori e danze Nelle felici stanze, Onde la vita é solo Un sogno lusinghier. Notte de' cari istanti, De' palpiti e de' canti, Perché non fermi 'l volo Sull'onda del piacer? (Horn, Ribbing e i loro aderenti in domino azzurro col cinto vermiglio. Anckarström nellostessocostume s'avanza lentamente.) ▼HORN▲ (additando Anckarström a Ribbing) Altro de'nostri é questo. (e fattosi presso a Anckarström sottovoce) "Morte!" ▼ANCKARSTRÖM▲ (amaramente) Sì, morte! Ma non verrà. ▼HORN E RIBBING▲ Che parli? ▼ANCKARSTRÖM▲ Qui l'aspettarlo é vano. ▼HORN▲ Come? ▼RIBBING▲ Perché? ▼ANCKARSTRÖM▲ Vi basti saperlo altrove. ▼HORN▲ O sorte ingannatrice! ▼RIBBING▲ (fremente) Sempre ne sfuggirà di mano! ▼ANCKARSTRÖM▲ Parlate basso; alcuno lo sguardo a noi fermò. ▼HORN▲ E chi? ▼ANCKARSTRÖM▲ Quello a sinistra dal breve domino. (Si disperdono, ma Anckarström viene inseguito da Oscar in maschera.) ▼OSCAR▲ (a Anckarström) Più non ti lascio, o maschera; mal ti nascondi. ▼ANCKARSTRÖM▲ (scansandolo) Eh via! ▼OSCAR▲ (inseguendolo sempre, con vivacità) Tu se' Renato. ▼ANCKARSTRÖM▲ (spiccandogli la maschera) E Oscarre tu sei. ▼OSCAR▲ Qual villania! ▼ANCKARSTRÖM▲ Ma bravo, e ti par dunque convenienza questa Che mentre il sire dorme, tu scivoli alla festa? ▼OSCAR▲ Il re é qui… ▼ANCKARSTRÖM▲ (trasalendo) Che!… dove? ▼OSCAR▲ L'ho detto… ▼ANCKARSTRÖM▲ Ebben!… qual é? ▼OSCAR▲ Non vel dirò!… ▼ANCKARSTRÖM▲ Gran cosa! ▼OSCAR▲ (voltandogli le spalle) Cercatelo da voi. ▼ANCKARSTRÖM▲ (con accento amichevole) Orsù! ▼OSCAR▲ È per fargli il tiro che regalaste a me? ▼ANCKARSTRÖM▲ Via, calmati almen dirmi del suo costume puoi? ▼OSCAR▲ (scherzando) Saper vorreste Di che si veste, Quando l'é cosa Ch' ei vuol nascosa. Oscar lo sa, Ma nol dirà, Tra là là là là Là là là là. Pieno d'amor Mi balza il cor, Ma pur discreto Serba il segreto. Nol rapirà Grado o beltà, Trà là là là Là là là là. Oscar lo sa, (ecc.) (Gruppi di maschere e coppie danzanti attraversano il dinanzi della scena e separano Oscar daAnckarström.) ▼CORO▲ Fervono amori e danze Nelle felici stanze, Onde la vita é solo Un sogno lusinghier. ▼ANCKARSTRÖM▲ (raggiungendolo di nuovo) So che tu sai distinguere gli amici suoi. ▼OSCAR▲ V'alletta interrogarlo, e forse celiar con esso un po'? ▼ANCKARSTRÖM▲ Appunto. ▼OSCAR▲ E compromettere di poi chi ve l'ha detto? ▼ANCKARSTRÖM▲ M'offendi. È confidenza che quanto importi so. ▼OSCAR▲ Vi preme assai? ▼ANCKARSTRÖM▲ Degg'io di gravi cose ad esso, Pria che la notte inoltri, qui favellar. Su te Farò cader la colpa, se non mi fia concesso. ▼OSCAR▲ Dunque! ▼ANCKARSTRÖM▲ Fai grazia a lui, se parli, e non a me. ▼OSCAR▲ (più dappresso e rapidamente) Veste una cappa nera, con roseo nastro al petto. (Fa per andarsene) ▼ANCKARSTRÖM▲ Una parola ancora. ▼OSCAR▲ (dileguandosi tra la folla) Più che abbastanza ho detto. ▼CORO▲ Fervono amori e danze (ecc.) (Danzatori e danzatrici s'intrecciano al proscenio; Anckarström scorge lontano talunode'suoi e scompare di là. Poco dopo, al volger delle coppie nel fondo, Gustavo in dominonero con nastro rosa, s'affaccia pensieroso, e dietro a lui Amelia in domino bianco.) ▼AMELIA▲ (sottovoce in modo da non essere riconosciuta) Ah! perché qui! fuggite… ▼GUSTAVO▲ Sei quella dello scritto? ▼AMELIA▲ La morte qui v'accerchia… ▼GUSTAVO▲ Non penetra nel mio petto il terror. ▼AMELIA▲ Fuggite, fuggite, o che trafitto cadrete qui! ▼GUSTAVO▲ Rivelami il nome tuo. ▼AMELIA▲ Gran Dio! Nol posso. ▼GUSTAVO▲ E perché piangi… mi supplichi atterrita? Onde contanta senti pietà della mia vita? ▼AMELIA▲ (tra singulti che svelano la sua voce naturale) Tutto, per essa, tutto il sangue mio darei! ▼GUSTAVO▲ Invan ti celi, Amelia quell'angelo tu sei! ▼AMELIA▲ (con disperazione) T'amo, sì, t'amo, e in lagrime A' piedi tuoi m'atterro, Ove t'anela incognito Della vendetta il ferro. Cadavere domani Sarai sei qui rimani Salvati, va, mi lascia, Fuggi dall'odio lor. ▼GUSTAVO▲ Sin che tu m'ami, Amelia, Non curo il fato mio, Non ho che te nell'anima, E l'universo oblio. Né so temer la morte, Perché di lei più forte È l'aura che m'inebria Del tuo divino amor. ▼AMELIA▲ Dunque vedermi vuoi D'affanno morta e di vergogna? ▼GUSTAVO▲ Salva ti vo'. Domani con Renato andrai… ▼AMELIA▲ Dove? ▼GUSTAVO▲ Al natio tuo cielo. ▼AMELIA▲ Alla mia terra! ▼GUSTAVO▲ Mi schianto il cor… ma partirai… ma, addio. ▼AMELIA▲ Gustavo! ▼GUSTAVO▲ Ti lascio, Amelia. ▼AMELIA▲ Gustavo! ▼GUSTAVO▲ (Si, stacca, ma dopo pochi passi tornando a lei con tutta l'anima ) Anco una volta addio. ▼AMELIA▲ Ahimé! ▼GUSTAVO▲ L'ultima volta, addio! ▼AMELIA E GUSTAVO▲ Addio! ▼ANCKARSTRÖM▲ (Lanciatosi inosservato tra loro, trafigge Gustavo.) E tu ricevi il mio! ▼GUSTAVO▲ Ahimé! ▼AMELIA▲ (d'un grido) Soccorso! ▼OSCAR▲ (accorrendo a lui) O ciel! (Entrano da tutte le parti dame, ufficiali e guardie.) Ei trucidato! ▼ALCUNI▲ Da chi? ▼ALTRI▲ Dov'é l'infame? ▼OSCAR▲ (accennnando Anckarström) Eccol!… (Tutti lo circondano e gli strappano la maschera. Nel fondo veggonsi apparire Horn e Ribbing.) ▼AMELIA, OSCAR, CORO▲ Renato! ▼CORO▲ Ah! Morte, infamia, Sul traditor! L'acciaro lo laceri Vendicator! ▼GUSTAVO▲ No, no… lasciatelo. (a Anckarström) Tu… m'odi ancor. (Tratto il dispaccio, fa cenno a lui di accostarsi.) Ella é pura, in braccio a morte Te lo giuro, Iddio m'ascolta; Io che amai la tua consorte Rispettato ho il suo candor. (Gli dà il foglio.) A novello incarco asceso Tu con lei partir dovevi… Io l'amai, ma volli illeso Il tuo nome ed il suo cor! ▼AMELIA▲ O rimorsi dell'amor Che divorano il mio cor, Fra un colpevole che sanguina E la vittima che muor! ▼OSCAR▲ O dolor senza misura, O terribile sventura! La sua fronte é tutta rorida Già dell'ultimo sudor! ▼ANCKARSTRÖM▲ Ciel! che feci! e che m'aspetta Esecrato sulla terra!… Di qual sangue e qual vendetta M'assetò l'infausto error! ▼GUSTAVO▲ Grazia a ognum; signor qui sono Tutti assolve il mio perdono. (Horn e Ribbing occupano sempre il fondo della scena.) ▼TUTTI GLI ALTRI▲ Cor sì grande e generoso Tu ci serba, o Dio pietoso Raggio in terra a noi miserrimi È del tuo celeste amor! ▼GUSTAVO▲ Addio per sempre, miei figli… ▼AMELIA, OSCAR, ANCKARSTRÖM, HORN, RIBBING▲ Ei muore! ▼GUSTAVO▲ Addio… diletta patria… Addio… miei figli… per sempre… Ah!… ohimé!… io moro!… miei figli… Per sem… Addio. (Gustavo cade e spira.) ▼TUTTI▲ Notte d'orror! Atto Terzo Quadro I Una stanza da studio nell'abitazione di Anckarström. Sovra un caminetto di fianco due vasi di bronzo, rimpetto a cui la biblioteca. Nel fondo v'ha unmagnifico ritratto del re Gustavo in piedi, e, nel mezzo della scena, una travola. Entrano Anckarström a Amelia. ANCKARSTRÖM deposta la spada e chiusa la porta A tal colpa é nulla il pianto, Non la terge e non la scusa. Ogni prece é vana ormai; Sangue vuolsi, e tu morrai. AMELIA Ma se reo, se reo soltanto È l'indizio che m'accusa? ANCKARSTRÖM Taci, adultera! AMELIA Gran Dio! ANCKARSTRÖM Chiedi a lui misericordia. AMELIA E ti basta un sol sospetto? E vuoi dunque il sangue mio? E m'infami, e più non senti Né giustizia, né pietà? ANCKARSTRÖM Sangue vuolsi, e tu morrai. AMELIA Un istante, é ver l'amai Ma il tuo nome non macchiai. Sallo Iddio, che nel mio petto Mai non arse indegno affetto. ANCKARSTRÖM ripigliando la spada Hai finito? Tardi é omai… Sangue vuolsi, e tu morrai. AMELIA Ah! mi sveni!… ebbene sia… Ma una grazia… ANCKARSTRÖM Non a me. La tua prece al ciel rivolgi. AMELIA genuflessa Solo un detto ancora a te. M'odi, l'ultimo sarà. Morró, ma prima in grazia, Deh! mi consenti almeno L'unico figlio mio Avvincere al mio seno. E se alla moglie nieghi Quest'ultimo favor, Non rifiutarlo ai prieghi Del mio materno cor. Morrò, ma queste viscere Consolino i suoi baci, Or che l'estrema é giunta Dell'ore mie fugaci. Spenta per man del padre, La man ei stenderà Sugli occhi d'una madre Che mai più non vedrà! ANCKARSTRÖM additandole, senza guardarla, un uscio Alzati; là tuo figlio A te concedo riveder. Nell'ombra E nel silenzio, là, Il tuo rossore e l'onta mia nascondi. Amelia esce. Non é su lei, nel suo Fragile petto che colpir degg'io. Altro, ben altro sangue a terger déssi L'offesa!… fissando il ritratto Il sangue tuo! E lo trarrà il pugnale Dallo sleal tuo core, Delle lagrime mie vendicator! Eri tu che macchiavi quell'anima, La delzia dell'anima mia; Che m'affidi e d'un tratto esecrabile L'universo avveleni per me! Traditor! che compensi in tal guisa Dell'amico tuo primo la fé! O dolcezze perdute! O memorie D'un amplesso che l'essere india!… Quando Amelia sì bella, sì candida Sul mio seno brillava d'amor! È finita, non siede che l'odio E la morte nel vedovo cor! O dolcezze perdute, o speranze d'amor! Horn e Ribbing entrano salutando Anckarström freddamente. ANCKARSTRÖM Siam soli. Udite. Ogni desgno vostro M' é noto. Voi di Gustavo la morte Volete. RIBBING È un sogno. ANCKARSTRÖM mostrando alcune carte che ha sul tavolo Ho qui le prove! HORN fremendo Ed ora la trama al re tu svelerai? ANCKARSTRÖM No, voglio dividerla. HORN E RIBBING Tu scherzi. ANCKARSTRÖM E non co' detti Ma qui col fatto struggerò i sospetti. Io son vostro, compagno m'avrete Senza posa a quest'opra di sangue. Se vi manco. HORN Ma tal mutamento È credibile appena. ANCKARSTRÖM Qual fu la cagion non cercate. Son vostro per la vita dell'unico figlio! HORN Ei non mente. RIBBING No, non mente. ANCKARSTRÖM Esitate? HORN E RIBBING Non più. ANCKARSTRÖM Non più. ANCKARSTRÖM, HORN, RIBBING Dunque l'onta di tutti sol una, Uno il cor, la vendetta sarà, Che tremenda, repente, digiuna Su quel capo esecrato cadrà! ANCKARSTRÖM D'una grazia vi supplico. HORN E quale? ANCKARSTRÖM Che sia dato d'ucciderlo a me. HORN No, Anckarström l'avito castello A me tolse, e tal dritto a me spetta. RIBBING Ed a me cui spegneva il fratello, Cui decenne agonia di vendetta Senza requie divora, qual parte Assegnaste? ANCKARSTRÖM Chetatevi, solo Qui la sorte decidere de'. Prende un vaso dal camino e lo colloca sulla tavola. Horn scrive tre nomi e vi getta dentro ibiglietti. Entra Amelia. E chi viene? incontrandola Tu?… AMELIA V'é Oscarre che porta Un invito del sire. ANCKARSTRÖM fremente Di lui!… Che m'aspetti. ad Amelia E tu resta, lo dêi Poi che parmi che il cielo t'ha scorta. AMELIA (Qual tristezza m'assale, qual pena! Qual terribile lampo balena!) ANCKARSTRÖM additando sua moglie a Horn e Ribbing Nulla sa non temete. Costei Esser debbe anzi l'auspice lieto. ad Amelia traendola verso la tavola V'ha tre nomi in quell'urna un ne tragga L'innocente tua mano. AMELIA tremante E perche? ANCKARSTRÖM fulminandola con lo sguardo Obbedisci non chieder di più. AMELIA (Non é dubbio; il feroce decreto Mi vuol parte ad un'opra di sangue.) Con mano tremante estrae dal vaso un biglietto che suo marito passa a Horn. ANCKARSTRÖM Qual é dunque l'eletto? HORN con dolore Renato. ANCKARSTRÖM con esalatazione Il mio nome! O giustizia del fato; La vendetta mi deleghi tu! AMELIA (Di Gustavo la morte si vuole! Non celâr le crudeli parole! Su quel capo snudati dall'ira I lor ferri scintillano già!) ANCKARSTRÖM, HORN, RIBBING Sconterà della patria il pianto Lo sleal che ne fece suo vanto. Se traffisse, soccomba trafitto, Tal mercede pagata gli va! ANCKARSTRÖM alla porta Il messaggio entri. Entra Oscar. OSCAR verso Amelia Alle danze questa sera, se gradite, Con lo sposo, il mio signore Vi desidera… AMELIA turbata Nol posso. ANCKARSTRÖM Anche il sire vi sarà? OSCAR Certo. HORN E RIBBING fra loro O sorte! ANCKARSTRÖM al paggio, ma guardando i compagni Tanto invito so che valga. OSCAR È un ballo in maschera Splendidissimo! ANCKARSTRÖM Benissimo! accennando Amelia Ella meco interverrà. AMELIA (Gran Dio!) HORN E RIBBING fra loro E noi pur, se da quell'abito Più spedito il colpo va. OSCAR Ah! di che fulgor, che musiche Esulteran le soglie, Ove di tante giovani Bellezze il fior s'accoglie, Di quante altrice palpita Questa gentil città! AMELIA (Ed io medesma, io misera, Lo scritto inesorato Trassi dall'unra complice, Pel mio consorte irato Su cui del cor più nobile Ferma la morte sta.) ANCKARSTRÖM (Là fra le danze esanime La mente mia sel pinge… Ove del proprio sangue Il pavimento tinge. Spira, dator d'infamie, Senza trovar pietà.) HORN E RIBBING fra loro Una vendetta in domino È ciò che torna all'uopo. Fra l'urto delle maschere Non fallirà lo scopo; Sarà una danza funebre Con pallide beltà. AMELIA (Prevenirlo potessi, e non tradir Lo sposo mio!) OSCAR Regina della festa sarete. AMELIA (Forse potrallo Ulrica.) frattanto Anckarström, Horn e Ribbing rapidamente in disparte HORN E RIBBING E qual costume indosserem? ANCKARSTRÖM Azzurra la veste, e da vermiglio Nastro le ciarpe al manco lato attorte. HORN E RIBBING E qual accento a ravvisarci? ANCKARSTRÖM sottovoce "Morte!" AMELIA (Prevenirlo potessi!) OSCAR Regina sarete! ANCKARSTRÖM, HORN, RIBBING Morte! Quadro II Tavola coll'occorrente per iscrivere; nel fondo un grancortinaggio che scoprirà la festa da ballo. GUSTAVO solo Forse la soglia attinse, E posa alfin. L'onore Ed il dover fra i nostri petti han rotto L'abisso. Ah, sì, Renato Rivedrà la sua patria… e la sua sposa Lo seguirà Senza un addio, l'immenso Mar ne sepàari… e taccia il core. Scrive e nel momento di apporre la firma lascia cader la penna. Esito ancor? ma, o ciel, non lo degg'io? Sottoscrive e chiude il foglio in seno. Ah, l'ho segnato il sacrifizio mio! Ma se m'é forza perderti Per sempre, o luce mia, A te verrà il mio palpito Sotto qual ciel tu sia. Chiusa la tua memoria Nell'intimo del cor. Ed or qual reo presagio Lo spirito m'assale, Che il rivederti annunzia Quasi un desio fatale… Come se fosse l'ultima Ora del nostro amor? musica di dentro Ah! dessa é là… potrei vederla… ancora Riparlarle potrei… Ma no ché tutto or mi strappa da lei. Oscar entra con un foglio in mano. OSCAR Ignota donna questo foglio diemmi. È pel sire, diss'ella; a lui lo reca E di celato. Gustavo legge il foglio. GUSTAVO dopo letto Che nel ballo alcuno Alla mia vita attenterà, sta detto. Ma se m'arresto, Ch'io pavento diran. Nol vo' nessuno Pur sospettarlo de'. Tu va t'appresta, E ratto per gioir meco alla festa. Oscar esce; Gustavo rimasto solo vivamente prorompe Sì, rivederti, Amelia, E nella tua beltà, Anco una volta l'anima D'amor mi brillerà. Quadro III Già all'aprirsi delle cortine una moltitudine d'invitatiempie la scena. Il maggior numero é in maschera, alcuni in domino, altri in costume digala a viso scoperto. Chi va in traccia, chi evita, chi ossequia e chi persegue. Tutto spiramagnificenza ed ilarità. CORO Fervono amori e danze Nelle felici stanze, Onde la vita é solo Un sogno lusinghier. Notte de' cari istanti, De' palpiti e de' canti, Perché non fermi 'l volo Sull'onda del piacer? Horn, Ribbing e i loro aderenti in domino azzurro col cinto vermiglio. Anckarström nellostessocostume s'avanza lentamente. HORN additando Anckarström a Ribbing Altro de'nostri é questo. e fattosi presso a Anckarström sottovoce "Morte!" ANCKARSTRÖM amaramente Sì, morte! Ma non verrà. HORN E RIBBING Che parli? ANCKARSTRÖM Qui l'aspettarlo é vano. HORN Come? RIBBING Perché? ANCKARSTRÖM Vi basti saperlo altrove. HORN O sorte ingannatrice! RIBBING fremente Sempre ne sfuggirà di mano! ANCKARSTRÖM Parlate basso; alcuno lo sguardo a noi fermò. HORN E chi? ANCKARSTRÖM Quello a sinistra dal breve domino. Si disperdono, ma Anckarström viene inseguito da Oscar in maschera. OSCAR a Anckarström Più non ti lascio, o maschera; mal ti nascondi. ANCKARSTRÖM scansandolo Eh via! OSCAR inseguendolo sempre, con vivacità Tu se' Renato. ANCKARSTRÖM spiccandogli la maschera E Oscarre tu sei. OSCAR Qual villania! ANCKARSTRÖM Ma bravo, e ti par dunque convenienza questa Che mentre il sire dorme, tu scivoli alla festa? OSCAR Il re é qui… ANCKARSTRÖM trasalendo Che!… dove? OSCAR L'ho detto… ANCKARSTRÖM Ebben!… qual é? OSCAR Non vel dirò!… ANCKARSTRÖM Gran cosa! OSCAR voltandogli le spalle Cercatelo da voi. ANCKARSTRÖM con accento amichevole Orsù! OSCAR È per fargli il tiro che regalaste a me? ANCKARSTRÖM Via, calmati almen dirmi del suo costume puoi? OSCAR scherzando Saper vorreste Di che si veste, Quando l'é cosa Ch' ei vuol nascosa. Oscar lo sa, Ma nol dirà, Tra là là là là Là là là là. Pieno d'amor Mi balza il cor, Ma pur discreto Serba il segreto. Nol rapirà Grado o beltà, Trà là là là Là là là là. Oscar lo sa, ecc. Gruppi di maschere e coppie danzanti attraversano il dinanzi della scena e separano Oscar daAnckarström. CORO Fervono amori e danze Nelle felici stanze, Onde la vita é solo Un sogno lusinghier. ANCKARSTRÖM raggiungendolo di nuovo So che tu sai distinguere gli amici suoi. OSCAR V'alletta interrogarlo, e forse celiar con esso un po'? ANCKARSTRÖM Appunto. OSCAR E compromettere di poi chi ve l'ha detto? ANCKARSTRÖM M'offendi. È confidenza che quanto importi so. OSCAR Vi preme assai? ANCKARSTRÖM Degg'io di gravi cose ad esso, Pria che la notte inoltri, qui favellar. Su te Farò cader la colpa, se non mi fia concesso. OSCAR Dunque! ANCKARSTRÖM Fai grazia a lui, se parli, e non a me. OSCAR più dappresso e rapidamente Veste una cappa nera, con roseo nastro al petto. Fa per andarsene ANCKARSTRÖM Una parola ancora. OSCAR dileguandosi tra la folla Più che abbastanza ho detto. CORO Fervono amori e danze ecc. Danzatori e danzatrici s'intrecciano al proscenio; Anckarström scorge lontano talunode'suoi e scompare di là. Poco dopo, al volger delle coppie nel fondo, Gustavo in dominonero con nastro rosa, s'affaccia pensieroso, e dietro a lui Amelia in domino bianco. AMELIA sottovoce in modo da non essere riconosciuta Ah! perché qui! fuggite… GUSTAVO Sei quella dello scritto? AMELIA La morte qui v'accerchia… GUSTAVO Non penetra nel mio petto il terror. AMELIA Fuggite, fuggite, o che trafitto cadrete qui! GUSTAVO Rivelami il nome tuo. AMELIA Gran Dio! Nol posso. GUSTAVO E perché piangi… mi supplichi atterrita? Onde contanta senti pietà della mia vita? AMELIA tra singulti che svelano la sua voce naturale Tutto, per essa, tutto il sangue mio darei! GUSTAVO Invan ti celi, Amelia quell'angelo tu sei! AMELIA con disperazione T'amo, sì, t'amo, e in lagrime A' piedi tuoi m'atterro, Ove t'anela incognito Della vendetta il ferro. Cadavere domani Sarai sei qui rimani Salvati, va, mi lascia, Fuggi dall'odio lor. GUSTAVO Sin che tu m'ami, Amelia, Non curo il fato mio, Non ho che te nell'anima, E l'universo oblio. Né so temer la morte, Perché di lei più forte È l'aura che m'inebria Del tuo divino amor. AMELIA Dunque vedermi vuoi D'affanno morta e di vergogna? GUSTAVO Salva ti vo'. Domani con Renato andrai… AMELIA Dove? GUSTAVO Al natio tuo cielo. AMELIA Alla mia terra! GUSTAVO Mi schianto il cor… ma partirai… ma, addio. AMELIA Gustavo! GUSTAVO Ti lascio, Amelia. AMELIA Gustavo! GUSTAVO Si, stacca, ma dopo pochi passi tornando a lei con tutta l'anima Anco una volta addio. AMELIA Ahimé! GUSTAVO L'ultima volta, addio! AMELIA E GUSTAVO Addio! ANCKARSTRÖM Lanciatosi inosservato tra loro, trafigge Gustavo. E tu ricevi il mio! GUSTAVO Ahimé! AMELIA d'un grido Soccorso! OSCAR accorrendo a lui O ciel! Entrano da tutte le parti dame, ufficiali e guardie. Ei trucidato! ALCUNI Da chi? ALTRI Dov'é l'infame? OSCAR accennnando Anckarström Eccol!… Tutti lo circondano e gli strappano la maschera. Nel fondo veggonsi apparire Horn e Ribbing. AMELIA, OSCAR, CORO Renato! CORO Ah! Morte, infamia, Sul traditor! L'acciaro lo laceri Vendicator! GUSTAVO No, no… lasciatelo. a Anckarström Tu… m'odi ancor. Tratto il dispaccio, fa cenno a lui di accostarsi. Ella é pura, in braccio a morte Te lo giuro, Iddio m'ascolta; Io che amai la tua consorte Rispettato ho il suo candor. Gli dà il foglio. A novello incarco asceso Tu con lei partir dovevi… Io l'amai, ma volli illeso Il tuo nome ed il suo cor! AMELIA O rimorsi dell'amor Che divorano il mio cor, Fra un colpevole che sanguina E la vittima che muor! OSCAR O dolor senza misura, O terribile sventura! La sua fronte é tutta rorida Già dell'ultimo sudor! ANCKARSTRÖM Ciel! che feci! e che m'aspetta Esecrato sulla terra!… Di qual sangue e qual vendetta M'assetò l'infausto error! GUSTAVO Grazia a ognum; signor qui sono Tutti assolve il mio perdono. Horn e Ribbing occupano sempre il fondo della scena. TUTTI GLI ALTRI Cor sì grande e generoso Tu ci serba, o Dio pietoso Raggio in terra a noi miserrimi È del tuo celeste amor! GUSTAVO Addio per sempre, miei figli… AMELIA, OSCAR, ANCKARSTRÖM, HORN, RIBBING Ei muore! GUSTAVO Addio… diletta patria… Addio… miei figli… per sempre… Ah!… ohimé!… io moro!… miei figli… Per sem… Addio. Gustavo cade e spira. TUTTI Notte d'orror! Verdi,Giuseppe/Un Ballo in Maschera+
https://w.atwiki.jp/alphaomega/pages/61.html
youtube-dl - youtube.comやその他の動画プラットフォームから動画をダウンロードする INSTALLATION DESCRIPTION OPTIONS CONFIGURATION OUTPUT TEMPLATE FORMAT SELECTION VIDEO SELECTION FAQ DEVELOPER INSTRUCTIONS EMBEDDING YOUTUBE-DL BUGS COPYRIGHT INSTALLATION To install it right away for all UNIX users (Linux, macOS, etc.), type sudo curl -L https //yt-dl.org/downloads/latest/youtube-dl -o /usr/local/bin/youtube-dl sudo chmod a+rx /usr/local/bin/youtube-dl If you do not have curl, you can alternatively use a recent wget sudo wget https //yt-dl.org/downloads/latest/youtube-dl -O /usr/local/bin/youtube-dl sudo chmod a+rx /usr/local/bin/youtube-dl Windows users can download an .exe file and place it in any location on their PATH except for %SYSTEMROOT%\System32 (e.g. do not put in C \Windows\System32). You can also use pip sudo -H pip install --upgrade youtube-dl This command will update youtube-dl if you have already installed it. See the pypi page for more information. macOS users can install youtube-dl with Homebrew brew install youtube-dl Or with MacPorts sudo port install youtube-dl Alternatively, refer to the developer instructions for how to check out and work with the git repository. For further options, including PGP signatures, see the youtube-dl Download Page. DESCRIPTION youtube-dl is a command-line program to download videos from YouTube.com and a few more sites. It requires the Python interpreter, version 2.6, 2.7, or 3.2+, and it is not platform specific. It should work on your Unix box, on Windows or on macOS. It is released to the public domain, which means you can modify it, redistribute it or use it however you like. youtube-dl [OPTIONS] URL [URL...] OPTIONS -h, --help これのヘルプテキストを出力して終了する --version プログラムのバージョンを出力して終了する -U, --update このプログラムを最新バージョンに更新する。 十分な権限があることを確認してください (必要なら sudo 付きで実行します) -i, --ignore-errors 再生リストで利用できない動画をスキップするなど、ダウンロードエラーでも続行します --abort-on-error エラーが発生した場合、それ以上の(プレイリストまたはコマンドライン内の)動画のダウンロードを中止する --dump-user-agent 現在のブラウザIDを表示しま --list-extractors すべてのサポートされている抽出機能を一覧表示する --extractor-descriptions すべてのサポートされている抽出機能の説明を表示する --force-generic-extractor 抽出に汎用の抽出機能を強制的に使用する --default-search PREFIX 不適切なURLのためにこのプレフィックスを使用します。 For example gvsearch2 downloads two videos from google videos for youtube-dl large apple . 値 auto を使用してyoutube-dlに推測させます ( auto_warning to emit a warning when guessing). error は単にエラーを投げます。 デフォルト値 fixup_error は壊れたURLを修復しますが、これが不可能である場合は検索の代わりにエラーを発生させます。 --ignore-config 設定ファイルを読み取らない。 グローバル設定ファイル /etc/youtube-dl.conf が与えられている場合 ~/.config/youtube-dl/config (Windows では %APPDATA%/youtube-dl/config.txt) のユーザー設定を読み取らない --config-location PATH 設定ファイルの位置; 設定へのパスまたはそれを含むディレクトリ。 --flat-playlist プレイリストの動画は抽出せず、一覧表示するだけ。 --mark-watched 視聴した動画をマークする (YouTubeのみ) --no-mark-watched 視聴した動画をマークしない (YouTubeのみ) --no-color Do not emit color codes in output Network Options --proxy URL 指定された HTTP/HTTPS/SOCKS プロキシを使用する。 SOCKS プロキシを有効にするには、適切なスキームを指定します。 たとえば socks5 //127.0.0.1 1080/ 。 直接接続の場合は空文字列 (--proxy ) を渡します --socket-timeout SECONDS Time to wait before giving up, in seconds --source-address IP Client-side IP address to bind to -4, --force-ipv4 IPv4経由ですべての接続を確立する -6, --force-ipv6 IPv6経由ですべての接続を確立する Geo Restriction --geo-verification-proxy URL このプロキシを使用して、一部の地理的に制限されたサイトのIPアドレスを確認します。 実際のダウンロードには、-proxyで指定されたデフォルトのプロキシ(オプションが存在しない場合はnone)が使用されます。 --geo-bypass X-Forwarded-For HTTP ヘッダーの偽造により地理的制限を回避する --no-geo-bypass X-Forwarded-For HTTP ヘッダーの偽造により地理的制限を回避しない --geo-bypass-country CODE 明示的に提供された2文字の ISO 3166-2 国コード で地理的制限を強制的に回避する --geo-bypass-ip-block IP_BLOCK CIDR記法で明示的に提供されたIPブロックで地理的制限を強制的に回避する Video Selection --playlist-start NUMBER Playlist video to start at (default is 1) --playlist-end NUMBER Playlist video to end at (default is last) --playlist-items ITEM_SPEC ダウンロードするプレイリストの動画アイテム。 プレイリスト内の 1,2,5,8 でインデックスされた動画をダウンロードしたい場合は、 --playlist-items 1,2,5,8 のように、プレイリスト内の動画のインデックスをカンマで区切って指定します。 範囲を指定できます --playlist-items 1-3,7,10-13 , これはインデックス 1,2,3,7,10,11,12,13 の動画をダウンロードします。 --match-title REGEX 一致するタイトルのみをダウンロード (正規表現または大文字と小文字を区別しない部分文字列) --reject-title REGEX 一致するタイトルのダウンロードをスキップ (正規表現または大文字と小文字を区別しない部分文字列) --max-downloads NUMBER NUMBER 個のファイルをダウンロード後に中止 --min-filesize SIZE SIZE (50k や 44.6m など) より小さい任意の動画はダウンロードしない --max-filesize SIZE SIZE (50k や 44.6m など) より大きい任意の動画はダウンロードしない --date DATE この日付にアップロードされた動画のみダウンロード --datebefore DATE この日付にもしくは前に (即ち包括的) アップロードされた動画のみをダウンロード --dateafter DATE この日付にもしくは後に (即ち包括的) アップロードされた動画のみをダウンロード --min-views COUNT 再生回数 COUNT 未満の任意の動画はダウンロードしない --max-views COUNT 再生回数 COUNT 超過の任意の動画はダウンロードしない --match-filter FILTER ジェネリックビデオフィルター。 キーが存在する場合に一致する任意のキー(使用可能なキーのリストについては、 OUTPUT TEMPLATE を参照してください。)を指定し、!keyを指定してキーが存在しないかどうかを確認し、key NUMBER ( comment_count 12 のように、 =, , =,!=,=でも機能します)を指定して数値と比較し、key= LITERAL ( uploader = Mike Smith のように、!=でも機能します)を指定して文字列リテラルと一致させます。 --no-playlist URLが動画とプレイリストを参照している場合は、動画のみをダウンロードする。 --yes-playlist URLが動画とプレイリストを参照している場合は、プレイリストをダウンロードする。 --age-limit YEARS 特定の年齢に適した動画のみをダウンロードする --download-archive FILE アーカイブファイルにリストされていない動画のみダウンロードする。 そこにすべてのダウンロードされた動画のIDを記録する。 --include-ads 広告もダウンロードする (実験的) Download Options -r, --limit-rate RATE バイト毎秒単位の最大ダウンロード速度 (例 50K や 4.2M) -R, --retries RETRIES 再試行回数(デフォルトは10)、または infinite 。 --fragment-retries RETRIES フラグメントの再試行回数(デフォルトは10)、または infinite (DASH, hlsnative および ISM) --skip-unavailable-fragments 利用できないフラグメントをスキップする (DASH, hlsnative および ISM) --abort-on-unavailable-fragment 一部のフラグメントが利用可能でない場合、ダウンロードを中止する --keep-fragments ダウンロードが終了した後ディスクにダウンロードされたフラグメントを保つ; フラグメントはデフォルトで消去されます --buffer-size SIZE ダウンロードバッファのサイズ (例 1024 や 16K) (デフォルトは1024) --no-resize-buffer バッファサイズを自動的に調節しない。 デフォルトでは、バッファサイズはSIZEの初期値から自動的にリサイズされます。 --http-chunk-size SIZE チャンクベースのHTTPダウンロード用のチャンクのサイズ (例 10485760 または 10M) (デフォルトでは無効)。 Webサーバーによって課せられる帯域幅調整をバイパスするのに役立つ場合があります(実験的) --playlist-reverse プレイリストの動画を逆順でダウンロードする --playlist-random プレイリストの動画を乱順でダウンロードする --xattr-set-filesize 予想されるファイルサイズで file xattribute ytdl.filesize を設定します --hls-prefer-native ffmpegの代わりにネイティブHLSダウンローダーを使用する --hls-prefer-ffmpeg ネイティブHLSダウンローダーの代わりにffmpegを使用する --hls-use-mpegts HLSビデオのmpegtsコンテナーを使用して、ダウンロード中にビデオを再生できるようにします(一部のプレーヤーはビデオを再生できない場合があります) --external-downloader COMMAND 指定された外部ダウンローダーを使用する。 現在 aria2c,avconv,axel,curl,ffmpeg,httpie,wget をサポート --external-downloader-args ARGS これらの引数を外部ダウンローダーに与える Filesystem Options -a, --batch-file FILE ダウンロードするURLを含むファイル(stdin の場合は - )、行あたり1URL。 # , ; , ] で始まる行はコメントと見なされ無視されます。 --id ファイル名にはビデオIDのみ使用する -o, --output TEMPLATE Output filename template, see the OUTPUT TEMPLATE for all the info --autonumber-start NUMBER Specify the start value for %(autonumber)s (default is 1) --restrict-filenames ファイル名をASCII文字のみに制限し、ファイル名で & と空白を避ける -w, --no-overwrites ファイルを上書きしない -c, --continue 部分的にダウンロードされたファイルを強制的に再開する。 デフォルトでは、youtube-dlは可能であればダウンロードを再開する。 --no-continue 部分的にダウンロードされたファイルを再開しない (最初から再開) --no-part .partファイルを使用しない - 出力ファイルに直接書き込む --no-mtime Do not use the Last-modified header to set the file modification time --write-description ビデオの説明を.descriptionファイルに書き込む --write-info-json ビデオメタデータを.info.jsonファイルに書き込む --write-annotations ビデオ注釈を.annotations.xmlファイルに書き込む --load-info-json FILE JSON file containing the video information (created with the --write-info-json option) --cookies FILE File to read cookies from and dump cookie jar in --cache-dir DIR youtube-dlがいくらかのダウンロードされた情報を永続的に格納できるファイルシステム内の位置。 デフォルトでは $XDG_CACHE_HOME/youtube-dl または ~/.cache/youtube-dl 。 At the moment, only YouTube player files (for videos with obfuscated signatures) are cached, but that may change. --no-cache-dir ファイルシステムのキャッシュを無効にする --rm-cache-dir すべてのファイルシステムキャッシュファイルを削除する Thumbnail images --write-thumbnail サムネイル画像をディスクへ書き込む --write-all-thumbnails すべてのサムネイル画像形式をディスクへ書き込む --list-thumbnails すべての利用可能なサムネイル形式をシミュレートして一覧表示する Verbosity / Simulation Options -q, --quiet Activate quiet mode --no-warnings 警告を無視する -s, --simulate ビデオをダウンロードせずディスクへ何も書き込まない --skip-download ビデオをダウンロードしない -g, --get-url Simulate, quiet but print URL -e, --get-title Simulate, quiet but print title --get-id Simulate, quiet but print id --get-thumbnail Simulate, quiet but print thumbnail URL --get-description Simulate, quiet but print video description --get-duration Simulate, quiet but print video length --get-filename Simulate, quiet but print output filename --get-format Simulate, quiet but print output format -j, --dump-json Simulate, quiet but print JSON information. See the OUTPUT TEMPLATE for a description of available keys. -J, --dump-single-json Simulate, quiet but print JSON information for each command-line argument. If the URL refers to a playlist, dump the whole playlist information in a single line. --print-json Be quiet and print the video information as JSON (video is still being downloaded). --newline Output progress bar as new lines --no-progress プログレスバーを出力しない --console-title Display progress in console titlebar -v, --verbose さまざまなデバッグ情報を出力する --dump-pages 問題をデバッグするためにbase64を使用してエンコードされたダウンロードされたページを出力する (非常に詳細) --write-pages 問題をデバッグするためにダウンロードされた中間ページを現在のディレクトリのファイルへ書き込む --print-traffic 送受信されたHTTPトラフィックを表示する -C, --call-home デバッグのためにyoutube-dlサーバーに連絡する --no-call-home デバッグのためにyoutube-dlサーバーに連絡しない Workarounds --encoding ENCODING 指定されたエンコーディングを強制する (実験的) --no-check-certificate HTTPS証明書の検証を抑制する --prefer-insecure 動画に関する情報を取得するために、暗号化されていない接続を使用する。 (現在はYouTubeでのみサポートされています) --user-agent UA カスタムユーザーエージェントを指定する --referer URL カスタムリファラーを指定する、ビデオアクセスが1つのドメインに制限されている場合に使用します --add-header FIELD VALUE コロン で区切られた、カスタムHTTPヘッダーとその値を指定する。 このオプションは複数回使用できます --bidi-workaround Work around terminals that lack bidirectional text support. Requires bidiv or fribidi executable in PATH --sleep-interval SECONDS Number of seconds to sleep before each download when used alone or a lower bound of a range for randomized sleep before each download (minimum possible number of seconds to sleep) when used along with --max-sleep-interval. --max-sleep-interval SECONDS Upper bound of a range for randomized sleep before each download (maximum possible number of seconds to sleep). Must only be used along with --min-sleep-interval. Video Format Options -f, --format FORMAT ビデオフォーマットコード、すべての情報については FORMAT SELECTION を参照してください --all-formats すべての利用可能なビデオ形式をダウンロードする --prefer-free-formats 特定の形式が要求されない限り無料のビデオ形式を優先する -F, --list-formats リクエストされた動画のすべての利用可能なフォーマットをリストする --youtube-skip-dash-manifest Do not download the DASH manifests and related data on YouTube videos --merge-output-format FORMAT マージが必要な場合(例 bestvideo+bestaudio)、与えられたコンテナー形式に出力します。 mkv,mp4,ogg,webm,flv のいずれか。 マージが不要な場合は無視されます Subtitle Options --write-sub 字幕ファイルを書き込む --write-auto-sub 自動生成された字幕ファイルを書き込む (YouTubeのみ) --all-subs ビデオのすべての利用可能な字幕をダウンロードする --list-subs ビデオのすべての利用可能な字幕をリストする --sub-format FORMAT Subtitle format, accepts formats preference, for example srt or ass/srt/best --sub-lang LANGS Languages of the subtitles to download (optional) separated by commas, use --list- subs for available language tags Authentication Options -u, --username USERNAME このアカウントIDでログインする -p, --password PASSWORD アカウントパスワード。 このオプションを省略した場合、youtube-dlは対話的に尋ねます。 -2, --twofactor TWOFACTOR 二要素認証コード -n, --netrc Use .netrc authentication data --video-password PASSWORD Video password (vimeo, smotri, youku) Adobe Pass Options --ap-mso MSO Adobe Pass multiple-system operator (TV provider) identifier, use --ap-list-mso for a list of available MSOs --ap-username USERNAME Multiple-system operator account login --ap-password PASSWORD Multiple-system operator account password. If this option is left out, youtube-dl will ask interactively. --ap-list-mso List all supported multiple-system operators Post-processing Options -x, --extract-audio ビデオファイルをオーディオのみのファイルに変換する (ffmpegまたはavconvおよびffprobeまたはavprobeが必要です) --audio-format FORMAT オーディオ形式を指定 best , aac , flac , mp3 , m4a , opus , vorbis , または wav ; デフォルトでは best ; -xなしでは効果なし --audio-quality QUALITY Specify ffmpeg/avconv audio quality, insert a value between 0 (better) and 9 (worse) for VBR or a specific bitrate like 128K (default 5) --recode-video FORMAT 必要に応じて、ビデオを別の形式にエンコードします (現在サポートされているもの mp4|flv|ogg|webm|mkv|avi) --postprocessor-args ARGS Give these arguments to the postprocessor -k, --keep-video Keep the video file on disk after the post- processing; the video is erased by default --no-post-overwrites Do not overwrite post-processed files; the post-processed files are overwritten by default --embed-subs Embed subtitles in the video (only for mp4, webm and mkv videos) --embed-thumbnail Embed thumbnail in the audio as cover art --add-metadata Write metadata to the video file --metadata-from-title FORMAT Parse additional metadata like song title / artist from the video title. The format syntax is the same as --output. Regular expression with named capture groups may also be used. The parsed parameters replace existing values. Example --metadata-from- title %(artist)s - %(title)s matches a title like Coldplay - Paradise . Example (regex) --metadata-from-title (?P artist .+?) - (?P title .+) --xattrs Write metadata to the video file s xattrs (using dublin core and xdg standards) --fixup POLICY Automatically correct known faults of the file. One of never (do nothing), warn (only emit a warning), detect_or_warn (the default; fix file if we can, warn otherwise) --prefer-avconv Prefer avconv over ffmpeg for running the postprocessors --prefer-ffmpeg Prefer ffmpeg over avconv for running the postprocessors (default) --ffmpeg-location PATH Location of the ffmpeg/avconv binary; either the path to the binary or its containing directory. --exec CMD Execute a command on the file after downloading and post-processing, similar to find s -exec syntax. Example --exec adb push {} /sdcard/Music/ rm {} --convert-subs FORMAT Convert the subtitles to other format (currently supported srt|ass|vtt|lrc) CONFIGURATION 任意のサポートされているコマンドラインオプションを設定ファイルに配置することでyoutube-dlを設定できます。 LinuxおよびmacOSでは、システム全体の設定ファイルは /etc/youtube-dl.conf にありユーザー全体の設定ファイルは ~/.config/youtube-dl/config にあります。 Windowsでは、ユーザー全体の構成ファイルの位置は %APPDATA%\youtube-dl\config.txt または C\Users\ ユーザー名 \youtube-dl.conf です。 Note that by default configuration file may not exist so you may need to create it yourself. For example, with the following configuration file youtube-dl will always extract the audio, not copy the mtime, use a proxy and save all videos under Movies directory in your home directory # #で始まる行はコメントです # 常に音声を抽出する -x # mtimeをコピーしない --no-mtime # このプロキシを使用する --proxy 127.0.0.1 3128 # すべてのビデオをホームディレクトリのムービーディレクトリに保存する -o ~/Movies/%(title)s.%(ext)s Note that options in configuration file are just the same options aka switches used in regular command line calls thus there must be no whitespace after - or --, e.g. -o or --proxy but not - o or -- proxy. You can use --ignore-config if you want to disable the configuration file for a particular youtube-dl run. You can also use --config-location if you want to use custom configuration file for a particular youtube-dl run. .netrc ファイルによる認証 You may also want to configure automatic credentials storage for extractors that support authentication (by providing login and password with --username and --password) in order not to pass credentials as command line arguments on every youtube-dl execution and prevent tracking plain text passwords in the shell command history. You can achieve this using a .netrc file on a per extractor basis. For that you will need to create a .netrc file in your $HOME and restrict permissions to read/write by only you touch $HOME/.netrc chmod a-rwx,u+rw $HOME/.netrc After that you can add credentials for an extractor in the following format, where extractor is the name of the extractor in lowercase machine extractor login login password password For example machine youtube login myaccount@gmail.com password my_youtube_password machine twitch login my_twitch_account_name password my_twitch_password To activate authentication with the .netrc file you should pass --netrc to youtube-dl or place it in the configuration file. On Windows you may also need to setup the %HOME% environment variable manually. For example set HOME=%USERPROFILE% OUTPUT TEMPLATE -o オプションはユーザーが出力ファイル名のためのテンプレートを指定できるようにします。 tl;dr navigate me to examples. 基本的な使い方は、 youtube-dl -o funny_video.flv https //some/video のように単一のファイルをダウンロードするときにテンプレート引数を何も設定しないことです。 ただし、個々のビデオをダウンロードする際に置き換えられる特別なシーケンスをそれに含められます。 特別なシーケンスは、python文字列フォーマット操作に従ってフォーマットできます。 たとえば、 %(NAME)s や %(NAME)05d 。 明確にするために、これはパーセント記号に丸括弧内の名前が続き、フォーマット操作が続きます。 シーケンスタイプとともに使用できる名前は id (string) ビデオ識別子 title (string) ビデオタイトル url (string) ビデオURL ext (string) ビデオの拡張子 alt_title (string) ビデオの二次タイトル display_id (string) ビデオの代替識別子 uploader (string) 動画アップローダーのフルネーム license (string) ビデオがライセンスされているライセンス名 creator (string) ビデオの作成者 release_date (string) ビデオがリリースされた日付(YYYYMMDD) timestamp (numeric) ビデオが利用可能になった瞬間のUNIXタイムスタンプ upload_date (string) 動画のアップロード日(YYYYMMDD) uploader_id (string) 動画アップローダーのニックネームまたはID channel (string) 動画がアップロードされているチャンネルの完全な名前 channel_id (string) チャンネルのID location (string) ビデオが撮影された物理的な場所 duration (numeric) 秒単位のビデオの長さ view_count (numeric) プラットフォームでどれだけのユーザーがビデオを視聴したか like_count (numeric) 動画の肯定的な評価の数 dislike_count (numeric) 動画の否定的な評価の数 repost_count (numeric) ビデオの再投稿の数 average_rating (numeric) ユーザーによる平均評価で、使用される尺度はWebページによる comment_count (numeric) 動画のコメント数 age_limit (numeric) 動画の年齢制限 (年) is_live (boolean) このビデオがライブストリームか固定長ビデオかどうか start_time (numeric) URLで指定されている、再生を開始する時間(秒) end_time (numeric) URLで指定されている、再生を終了する時間(秒) format (string) 形式の人間が読める説明 format_id (string) --format で指定されたフォーマットコード format_note (string) フォーマットに関する追加情報 width (numeric) ビデオの幅 height (numeric) ビデオの高さ resolution (string) 幅と高さのテキストによる説明 tbr (numeric) オーディオとビデオの平均ビットレート (KBit/s) abr (numeric) 平均オーディオビットレート (KBit/s) acodec (string) 使用中のオーディオコーデックの名前 asr (numeric) オーディオサンプリングレート (ヘルツ) vbr (numeric) 平均ビデオビットレート (KBit/s) fps (numeric) フレームレート vcodec (string) 使用中のビデオコーデックの名前 container (string) コンテナ形式の名前 filesize (numeric) 事前にわかっている場合、バイト数 filesize_approx (numeric) バイト数の見積もり protocol (string) 実際のダウンロードに使用されるだろうプロトコル extractor (string) 抽出機能の名前 extractor_key (string) 抽出機能のキー名 epoch (numeric) ファイル作成時のUnixエポック autonumber (numeric) 0から始まり、ダウンロードごとに増える5桁の数字 playlist (string) 動画を含むプレイリストの名前またはID playlist_index (numeric) プレイリストの全長に応じて先行ゼロで詰められたプレイリスト内のビデオのインデックス playlist_id (string) プレイリスト識別子 playlist_title (string) プレイリストのタイトル playlist_uploader (string) プレイリストアップローダーのフルネーム playlist_uploader_id (string) プレイリストアップローダーのニックネームまたはID Available for the video that belongs to some logical chapter or section chapter (string) Name or title of the chapter the video belongs to chapter_number (numeric) Number of the chapter the video belongs to chapter_id (string) Id of the chapter the video belongs to Available for the video that is an episode of some series or programme series (string) Title of the series or programme the video episode belongs to season (string) Title of the season the video episode belongs to season_number (numeric) Number of the season the video episode belongs to season_id (string) Id of the season the video episode belongs to episode (string) Title of the video episode episode_number (numeric) Number of the video episode within a season episode_id (string) Id of the video episode Available for the media that is a track or a part of a music album track (string) Title of the track track_number (numeric) Number of the track within an album or a disc track_id (string) Id of the track artist (string) Artist(s) of the track genre (string) Genre(s) of the track album (string) Title of the album the track belongs to album_type (string) Type of the album album_artist (string) List of all artists appeared on the album disc_number (numeric) Number of the disc or other physical medium the track belongs to release_year (numeric) Year (YYYY) when the album was released Each aforementioned sequence when referenced in an output template will be replaced by the actual value corresponding to the sequence name. Note that some of the sequences are not guaranteed to be present since they depend on the metadata obtained by a particular extractor. Such sequences will be replaced with NA. For example for -o %(title)s-%(id)s.%(ext)s and an mp4 video with title youtube-dl test video and id BaW_jenozKcj, this will result in a youtube-dl test video-BaW_jenozKcj.mp4 file created in the current directory. For numeric sequences you can use numeric related formatting, for example, %(view_count)05d will result in a string with view count padded with zeros up to 5 characters, like in 00042. Output templates can also contain arbitrary hierarchical path, e.g. -o %(playlist)s/%(playlist_index)s - %(title)s.%(ext)s which will result in downloading each video in a directory corresponding to this path template. Any missing directory will be automatically created for you. To use percent literals in an output template use %%. To output to stdout use -o -. The current default template is %(title)s-%(id)s.%(ext)s. In some cases, you don t want special characters such as 中, spaces, or , such as when transferring the downloaded filename to a Windows system or the filename through an 8bit-unsafe channel. In these cases, add the --restrict-filenames flag to get a shorter title Output template and Windows batch files If you are using an output template inside a Windows batch file then you must escape plain percent characters (%) by doubling, so that -o %(title)s-%(id)s.%(ext)s should become -o %%(title)s-%%(id)s.%%(ext)s . However you should not touch % s that are not plain characters, e.g. environment variables for expansion should stay intact -o C \%HOMEPATH%\Desktop\%%(title)s.%%(ext)s . Output template examples Note that on Windows you may need to use double quotes instead of single. $ youtube-dl --get-filename -o %(title)s.%(ext)s BaW_jenozKc youtube-dl test video _ä↭𝕐.mp4 # All kinds of weird characters $ youtube-dl --get-filename -o %(title)s.%(ext)s BaW_jenozKc --restrict-filenames youtube-dl_test_video_.mp4 # A simple file name # Download YouTube playlist videos in separate directory indexed by video order in a playlist $ youtube-dl -o %(playlist)s/%(playlist_index)s - %(title)s.%(ext)s https //www.youtube.com/playlist?list=PLwiyx1dc3P2JR9N8gQaQN_BCvlSlap7re # Download all playlists of YouTube channel/user keeping each playlist in separate directory $ youtube-dl -o %(uploader)s/%(playlist)s/%(playlist_index)s - %(title)s.%(ext)s https //www.youtube.com/user/TheLinuxFoundation/playlists # Download Udemy course keeping each chapter in separate directory under MyVideos directory in your home $ youtube-dl -u user -p password -o ~/MyVideos/%(playlist)s/%(chapter_number)s - %(chapter)s/%(title)s.%(ext)s https //www.udemy.com/java-tutorial/ # Download entire series season keeping each series and each season in separate directory under C /MyVideos $ youtube-dl -o C /MyVideos/%(series)s/%(season_number)s - %(season)s/%(episode_number)s - %(episode)s.%(ext)s https //videomore.ru/kino_v_detalayah/5_sezon/367617 # Stream the video being downloaded to stdout $ youtube-dl -o - BaW_jenozKc FORMAT SELECTION By default youtube-dl tries to download the best available quality, i.e. if you want the best quality you don t need to pass any special options, youtube-dl will guess it for you by default. But sometimes you may want to download in a different format, for example when you are on a slow or intermittent connection. The key mechanism for achieving this is so-called format selection based on which you can explicitly specify desired format, select formats based on some criterion or criteria, setup precedence and much more. The general syntax for format selection is --format FORMAT or shorter -f FORMAT where FORMAT is a selector expression, i.e. an expression that describes format or formats you would like to download. tl;dr navigate me to examples. 最も単純なケースは、特定のフォーマットを要求すること、たとえば -f 22 はフォーマットコードが22に等しいフォーマットをダウンロードできます。 --list-formats または -F を使用して、特定のビデオで利用可能なフォーマットコードのリストを取得できます。 これらのフォーマットコードは抽出機能固有であることに注意してください。 You can also use a file extension (currently 3gp, aac, flv, m4a, mp3, mp4, ogg, wav, webm are supported) to download the best quality format of a particular file extension served as a single file, e.g. -f webm will download the best quality format with the webm extension served as a single file. You can also use special names to select particular edge case formats best Select the best quality format represented by a single file with video and audio. worst Select the worst quality format represented by a single file with video and audio. bestvideo Select the best quality video-only format (e.g. DASH video). May not be available. worstvideo Select the worst quality video-only format. May not be available. bestaudio Select the best quality audio only-format. May not be available. worstaudio Select the worst quality audio only-format. May not be available. For example, to download the worst quality video-only format you can use -f worstvideo. If you want to download multiple videos and they don t have the same formats available, you can specify the order of preference using slashes. Note that slash is left-associative, i.e. formats on the left hand side are preferred, for example -f 22/17/18 will download format 22 if it s available, otherwise it will download format 17 if it s available, otherwise it will download format 18 if it s available, otherwise it will complain that no suitable formats are available for download. If you want to download several formats of the same video use a comma as a separator, e.g. -f 22,17,18 will download all these three formats, of course if they are available. Or a more sophisticated example combined with the precedence feature -f 136/137/mp4/bestvideo,140/m4a/bestaudio. You can also filter the video formats by putting a condition in brackets, as in -f best[height=720] (or -f [filesize 10M] ). The following numeric meta fields can be used with comparisons , =, , =, = (equals), != (not equals) filesize The number of bytes, if known in advance width Width of the video, if known height Height of the video, if known tbr Average bitrate of audio and video in KBit/s abr Average audio bitrate in KBit/s vbr Average video bitrate in KBit/s asr Audio sampling rate in Hertz fps Frame rate Also filtering work for comparisons = (equals), ^= (starts with), $= (ends with), *= (contains) and following string meta fields ext File extension acodec Name of the audio codec in use vcodec Name of the video codec in use container Name of the container format protocol The protocol that will be used for the actual download, lower-case (http, https, rtsp, rtmp, rtmpe, mms, f4m, ism, http_dash_segments, m3u8, or m3u8_native) format_id A short description of the format Any string comparison may be prefixed with negation ! in order to produce an opposite comparison, e.g. !*= (does not contain). Note that none of the aforementioned meta fields are guaranteed to be present since this solely depends on the metadata obtained by particular extractor, i.e. the metadata offered by the video hoster. Formats for which the value is not known are excluded unless you put a question mark (?) after the operator. You can combine format filters, so -f [height =? 720][tbr 500] selects up to 720p videos (or videos where the height is not known) with a bitrate of at least 500 KBit/s. You can merge the video and audio of two formats into a single file using -f video-format + audio-format (requires ffmpeg or avconv installed), for example -f bestvideo+bestaudio will download the best video-only format, the best audio-only format and mux them together with ffmpeg/avconv. Format selectors can also be grouped using parentheses, for example if you want to download the best mp4 and webm formats with a height lower than 480 you can use -f (mp4,webm)[height 480] . Since the end of April 2015 and version 2015.04.26, youtube-dl uses -f bestvideo+bestaudio/best as the default format selection (see #5447, #5456). If ffmpeg or avconv are installed this results in downloading bestvideo and bestaudio separately and muxing them together into a single file giving the best overall quality available. Otherwise it falls back to best and results in downloading the best available quality served as a single file. best is also needed for videos that don t come from YouTube because they don t provide the audio and video in two different files. If you want to only download some DASH formats (for example if you are not interested in getting videos with a resolution higher than 1080p), you can add -f bestvideo[height =?1080]+bestaudio/best to your configuration file. Note that if you use youtube-dl to stream to stdout (and most likely to pipe it to your media player then), i.e. you explicitly specify output template as -o -, youtube-dl still uses -f best format selection in order to start content delivery immediately to your player and not to wait until bestvideo and bestaudio are downloaded and muxed. If you want to preserve the old format selection behavior (prior to youtube-dl 2015.04.26), i.e. you want to download the best available quality media served as a single file, you should explicitly specify your choice with -f best. You may want to add it to the configuration file in order not to type it every time you run youtube-dl. Format selection examples Note that on Windows you may need to use double quotes instead of single. # Download best mp4 format available or any other best if no mp4 available $ youtube-dl -f bestvideo[ext=mp4]+bestaudio[ext=m4a]/best[ext=mp4]/best # Download best format available but no better than 480p $ youtube-dl -f bestvideo[height =480]+bestaudio/best[height =480] # Download best video only format but no bigger than 50 MB $ youtube-dl -f best[filesize 50M] # Download best format available via direct link over HTTP/HTTPS protocol $ youtube-dl -f (bestvideo+bestaudio/best)[protocol^=http] # Download the best video format and the best audio format without merging them $ youtube-dl -f bestvideo,bestaudio -o %(title)s.f%(format_id)s.%(ext)s Note that in the last example, an output template is recommended as bestvideo and bestaudio may have the same file name. VIDEO SELECTION Videos can be filtered by their upload date using the options --date, --datebefore or --dateafter. They accept dates in two formats Absolute dates Dates in the format YYYYMMDD. Relative dates Dates in the format (now|today)[+-][0-9](day|week|month|year)(s)? Examples # Download only the videos uploaded in the last 6 months $ youtube-dl --dateafter now-6months # Download only the videos uploaded on January 1, 1970 $ youtube-dl --date 19700101 $ # Download only the videos uploaded in the 200x decade $ youtube-dl --dateafter 20000101 --datebefore 20091231 FAQ How do I update youtube-dl? If you ve followed our manual installation instructions, you can simply run youtube-dl -U (or, on Linux, sudo youtube-dl -U). If you have used pip, a simple sudo pip install -U youtube-dl is sufficient to update. If you have installed youtube-dl using a package manager like apt-get or yum, use the standard system update mechanism to update. Note that distribution packages are often outdated. As a rule of thumb, youtube-dl releases at least once a month, and often weekly or even daily. Simply go to https //yt-dl.org to find out the current version. Unfortunately, there is nothing we youtube-dl developers can do if your distribution serves a really outdated version. You can (and should) complain to your distribution in their bugtracker or support forum. As a last resort, you can also uninstall the version installed by your package manager and follow our manual installation instructions. For that, remove the distribution s package, with a line like sudo apt-get remove -y youtube-dl Afterwards, simply follow our manual installation instructions sudo wget https //yt-dl.org/downloads/latest/youtube-dl -O /usr/local/bin/youtube-dl sudo chmod a+rx /usr/local/bin/youtube-dl hash -r Again, from then on you ll be able to update with sudo youtube-dl -U. youtube-dl is extremely slow to start on Windows Add a file exclusion for youtube-dl.exe in Windows Defender settings. I m getting an error Unable to extract OpenGraph title on YouTube playlists YouTube changed their playlist format in March 2014 and later on, so you ll need at least youtube-dl 2014.07.25 to download all YouTube videos. If you have installed youtube-dl with a package manager, pip, setup.py or a tarball, please use that to update. Note that Ubuntu packages do not seem to get updated anymore. Since we are not affiliated with Ubuntu, there is little we can do. Feel free to report bugs to the Ubuntu packaging people - all they have to do is update the package to a somewhat recent version. See above for a way to update. I m getting an error when trying to use output template error using output template conflicts with using title, video ID or auto number Make sure you are not using -o with any of these options -t, --title, --id, -A or --auto-number set in command line or in a configuration file. Remove the latter if any. Do I always have to pass -citw? By default, youtube-dl intends to have the best options (incidentally, if you have a convincing case that these should be different, please file an issue where you explain that). Therefore, it is unnecessary and sometimes harmful to copy long option strings from webpages. In particular, the only option out of -citw that is regularly useful is -i. Can you please put the -b option back? Most people asking this question are not aware that youtube-dl now defaults to downloading the highest available quality as reported by YouTube, which will be 1080p or 720p in some cases, so you no longer need the -b option. For some specific videos, maybe YouTube does not report them to be available in a specific high quality format you re interested in. In that case, simply request it with the -f option and youtube-dl will try to download it. I get HTTP error 402 when trying to download a video. What s this? Apparently YouTube requires you to pass a CAPTCHA test if you download too much. We re considering to provide a way to let you solve the CAPTCHA, but at the moment, your best course of action is pointing a web browser to the youtube URL, solving the CAPTCHA, and restart youtube-dl. Do I need any other programs? youtube-dl works fine on its own on most sites. However, if you want to convert video/audio, you ll need avconv or ffmpeg. On some sites - most notably YouTube - videos can be retrieved in a higher quality format without sound. youtube-dl will detect whether avconv/ffmpeg is present and automatically pick the best option. Videos or video formats streamed via RTMP protocol can only be downloaded when rtmpdump is installed. Downloading MMS and RTSP videos requires either mplayer or mpv to be installed. I have downloaded a video but how can I play it? Once the video is fully downloaded, use any video player, such as mpv, vlc or mplayer. I extracted a video URL with -g, but it does not play on another machine / in my web browser. It depends a lot on the service. In many cases, requests for the video (to download/play it) must come from the same IP address and with the same cookies and/or HTTP headers. Use the --cookies option to write the required cookies into a file, and advise your downloader to read cookies from that file. Some sites also require a common user agent to be used, use --dump-user-agent to see the one in use by youtube-dl. You can also get necessary cookies and HTTP headers from JSON output obtained with --dump-json. It may be beneficial to use IPv6; in some cases, the restrictions are only applied to IPv4. Some services (sometimes only for a subset of videos) do not restrict the video URL by IP address, cookie, or user-agent, but these are the exception rather than the rule. Please bear in mind that some URL protocols are not supported by browsers out of the box, including RTMP. If you are using -g, your own downloader must support these as well. If you want to play the video on a machine that is not running youtube-dl, you can relay the video content from the machine that runs youtube-dl. You can use -o - to let youtube-dl stream a video to stdout, or simply allow the player to download the files written by youtube-dl in turn. ERROR no fmt_url_map or conn information found in video info YouTube has switched to a new video info format in July 2011 which is not supported by old versions of youtube-dl. See above for how to update youtube-dl. ERROR unable to download video YouTube requires an additional signature since September 2012 which is not supported by old versions of youtube-dl. See above for how to update youtube-dl. Video URL contains an ampersand and I m getting some strange output [1] 2839 or v is not recognized as an internal or external command That s actually the output from your shell. Since ampersand is one of the special shell characters it s interpreted by the shell preventing you from passing the whole URL to youtube-dl. To disable your shell from interpreting the ampersands (or any other special characters) you have to either put the whole URL in quotes or escape them with a backslash (which approach will work depends on your shell). For example if your URL is https //www.youtube.com/watch?t=4 v=BaW_jenozKc you should end up with following command youtube-dl https //www.youtube.com/watch?t=4 v=BaW_jenozKc or youtube-dl https //www.youtube.com/watch?t=4\ v=BaW_jenozKc For Windows you have to use the double quotes youtube-dl https //www.youtube.com/watch?t=4 v=BaW_jenozKc ExtractorError Could not find JS function u OF In February 2015, the new YouTube player contained a character sequence in a string that was misinterpreted by old versions of youtube-dl. See above for how to update youtube-dl. HTTP Error 429 Too Many Requests or 402 Payment Required These two error codes indicate that the service is blocking your IP address because of overuse. Usually this is a soft block meaning that you can gain access again after solving CAPTCHA. Just open a browser and solve a CAPTCHA the service suggests you and after that pass cookies to youtube-dl. Note that if your machine has multiple external IPs then you should also pass exactly the same IP you ve used for solving CAPTCHA with --source-address. Also you may need to pass a User-Agent HTTP header of your browser with --user-agent. If this is not the case (no CAPTCHA suggested to solve by the service) then you can contact the service and ask them to unblock your IP address, or - if you have acquired a whitelisted IP address already - use the --proxy or --source-address options to select another IP address. SyntaxError Non-ASCII character The error File youtube-dl , line 2 SyntaxError Non-ASCII character \x93 ... means you re using an outdated version of Python. Please update to Python 2.6 or 2.7. What is this binary file? Where has the code gone? Since June 2012 (#342) youtube-dl is packed as an executable zipfile, simply unzip it (might need renaming to youtube-dl.zip first on some systems) or clone the git repository, as laid out above. If you modify the code, you can run it by executing the __main__.py file. To recompile the executable, run make youtube-dl. The exe throws an error due to missing MSVCR100.dll To run the exe you need to install first the Microsoft Visual C++ 2010 Redistributable Package (x86). On Windows, how should I set up ffmpeg and youtube-dl? Where should I put the exe files? If you put youtube-dl and ffmpeg in the same directory that you re running the command from, it will work, but that s rather cumbersome. To make a different directory work - either for ffmpeg, or for youtube-dl, or for both - simply create the directory (say, C \bin, or C \Users\ User name \bin), put all the executables directly in there, and then set your PATH environment variable to include that directory. From then on, after restarting your shell, you will be able to access both youtube-dl and ffmpeg (and youtube-dl will be able to find ffmpeg) by simply typing youtube-dl or ffmpeg, no matter what directory you re in. How do I put downloads into a specific folder? Use the -o to specify an output template, for example -o /home/user/videos/%(title)s-%(id)s.%(ext)s . If you want this for all of your downloads, put the option into your configuration file. How do I download a video starting with a -? Either prepend https //www.youtube.com/watch?v= or separate the ID from the options with -- youtube-dl -- -wNyEUrxzFU youtube-dl https //www.youtube.com/watch?v=-wNyEUrxzFU How do I pass cookies to youtube-dl? Use the --cookies option, for example --cookies /path/to/cookies/file.txt. In order to extract cookies from browser use any conforming browser extension for exporting cookies. For example, cookies.txt (for Chrome) or cookies.txt (for Firefox). Note that the cookies file must be in Mozilla/Netscape format and the first line of the cookies file must be either # HTTP Cookie File or # Netscape HTTP Cookie File. Make sure you have correct newline format in the cookies file and convert newlines if necessary to correspond with your OS, namely CRLF (\r\n) for Windows and LF (\n) for Unix and Unix-like systems (Linux, macOS, etc.). HTTP Error 400 Bad Request when using --cookies is a good sign of invalid newline format. Passing cookies to youtube-dl is a good way to workaround login when a particular extractor does not implement it explicitly. Another use case is working around CAPTCHA some websites require you to solve in particular cases in order to get access (e.g. YouTube, CloudFlare). How do I stream directly to media player? You will first need to tell youtube-dl to stream media to stdout with -o -, and also tell your media player to read from stdin (it must be capable of this for streaming) and then pipe former to latter. For example, streaming to vlc can be achieved with youtube-dl -o - https //www.youtube.com/watch?v=BaW_jenozKcj | vlc - How do I download only new videos from a playlist? Use download-archive feature. With this feature you should initially download the complete playlist with --download-archive /path/to/download/archive/file.txt that will record identifiers of all the videos in a special file. Each subsequent run with the same --download-archive will download only new videos and skip all videos that have been downloaded before. Note that only successful downloads are recorded in the file. For example, at first, youtube-dl --download-archive archive.txt https //www.youtube.com/playlist?list=PLwiyx1dc3P2JR9N8gQaQN_BCvlSlap7re will download the complete PLwiyx1dc3P2JR9N8gQaQN_BCvlSlap7re playlist and create a file archive.txt. Each subsequent run will only download new videos if any youtube-dl --download-archive archive.txt https //www.youtube.com/playlist?list=PLwiyx1dc3P2JR9N8gQaQN_BCvlSlap7re Should I add --hls-prefer-native into my config? When youtube-dl detects an HLS video, it can download it either with the built-in downloader or ffmpeg. Since many HLS streams are slightly invalid and ffmpeg/youtube-dl each handle some invalid cases better than the other, there is an option to switch the downloader if needed. When youtube-dl knows that one particular downloader works better for a given website, that downloader will be picked. Otherwise, youtube-dl will pick the best downloader for general compatibility, which at the moment happens to be ffmpeg. This choice may change in future versions of youtube-dl, with improvements of the built-in downloader and/or ffmpeg. In particular, the generic extractor (used when your website is not in the list of supported sites by youtube-dl cannot mandate one specific downloader. If you put either --hls-prefer-native or --hls-prefer-ffmpeg into your configuration, a different subset of videos will fail to download correctly. Instead, it is much better to file an issue or a pull request which details why the native or the ffmpeg HLS downloader is a better choice for your use case. Can you add support for this anime video site, or site which shows current movies for free? As a matter of policy (as well as legality), youtube-dl does not include support for services that specialize in infringing copyright. As a rule of thumb, if you cannot easily find a video that the service is quite obviously allowed to distribute (i.e. that has been uploaded by the creator, the creator s distributor, or is published under a free license), the service is probably unfit for inclusion to youtube-dl. A note on the service that they don t host the infringing content, but just link to those who do, is evidence that the service should not be included into youtube-dl. The same goes for any DMCA note when the whole front page of the service is filled with videos they are not allowed to distribute. A "fair use" note is equally unconvincing if the service shows copyright-protected videos in full without authorization. Support requests for services that do purchase the rights to distribute their content are perfectly fine though. If in doubt, you can simply include a source that mentions the legitimate purchase of content. How can I speed up work on my issue? (Also known as Help, my important issue not being solved!) The youtube-dl core developer team is quite small. While we do our best to solve as many issues as possible, sometimes that can take quite a while. To speed up your issue, here s what you can do First of all, please do report the issue at our issue tracker. That allows us to coordinate all efforts by users and developers, and serves as a unified point. Unfortunately, the youtube-dl project has grown too large to use personal email as an effective communication channel. Please read the bug reporting instructions below. A lot of bugs lack all the necessary information. If you can, offer proxy, VPN, or shell access to the youtube-dl developers. If you are able to, test the issue from multiple computers in multiple countries to exclude local censorship or misconfiguration issues. If nobody is interested in solving your issue, you are welcome to take matters into your own hands and submit a pull request (or coerce/pay somebody else to do so). Feel free to bump the issue from time to time by writing a small comment ("Issue is still present in youtube-dl version ...from France, but fixed from Belgium"), but please not more than once a month. Please do not declare your issue as important or urgent. How can I detect whether a given URL is supported by youtube-dl? For one, have a look at the list of supported sites. Note that it can sometimes happen that the site changes its URL scheme (say, from https //example.com/video/1234567 to https //example.com/v/1234567 ) and youtube-dl reports an URL of a service in that list as unsupported. In that case, simply report a bug. It is not possible to detect whether a URL is supported or not. That s because youtube-dl contains a generic extractor which matches all URLs. You may be tempted to disable, exclude, or remove the generic extractor, but the generic extractor not only allows users to extract videos from lots of websites that embed a video from another service, but may also be used to extract video from a service that it s hosting itself. Therefore, we neither recommend nor support disabling, excluding, or removing the generic extractor. If you want to find out whether a given URL is supported, simply call youtube-dl with it. If you get no videos back, chances are the URL is either not referring to a video or unsupported. You can find out which by examining the output (if you run youtube-dl on the console) or catching an UnsupportedError exception if you run it from a Python program. Why do I need to go through that much red tape when filing bugs? Before we had the issue template, despite our extensive bug reporting instructions, about 80% of the issue reports we got were useless, for instance because people used ancient versions hundreds of releases old, because of simple syntactic errors (not in youtube-dl but in general shell usage), because the problem was already reported multiple times before, because people did not actually read an error message, even if it said "please install ffmpeg", because people did not mention the URL they were trying to download and many more simple, easy-to-avoid problems, many of whom were totally unrelated to youtube-dl. youtube-dl is an open-source project manned by too few volunteers, so we d rather spend time fixing bugs where we are certain none of those simple problems apply, and where we can be reasonably confident to be able to reproduce the issue without asking the reporter repeatedly. As such, the output of youtube-dl -v YOUR_URL_HERE is really all that s required to file an issue. The issue template also guides you through some basic steps you can do, such as checking that your version of youtube-dl is current. DEVELOPER INSTRUCTIONS Most users do not need to build youtube-dl and can download the builds or get them from their distribution. To run youtube-dl as a developer, you don t need to build anything either. Simply execute python -m youtube_dl To run the test, simply invoke your favorite test runner, or execute a test file directly; any of the following work python -m unittest discover python test/test_download.py nosetests See item 6 of new extractor tutorial for how to run extractor specific test cases. If you want to create a build of youtube-dl yourself, you ll need python make (only GNU make is supported) pandoc zip nosetests Adding support for a new site If you want to add support for a new site, first of all make sure this site is not dedicated to copyright infringement. youtube-dl does not support such sites thus pull requests adding support for them will be rejected. After you have ensured this site is distributing its content legally, you can follow this quick list (assuming your service is called yourextractor) このリポジトリをフォークする ソースコードをチェックアウトする git clone git@github.com YOUR_GITHUB_USERNAME/youtube-dl.git 新しいgitブランチを開始する cd youtube-dl git checkout -b yourextractor この単純なテンプレートから始めて、それを youtube_dl/extractor/yourextractor.py に保存します # coding utf-8 from __future__ import unicode_literals from .common import InfoExtractor class YourExtractorIE(InfoExtractor) _VALID_URL = r https? //(? www\.)?yourextractor\.com/watch/(?P id [0-9]+) _TEST = { url https //yourextractor.com/watch/42 , md5 TODO md5 sum of the first 10241 bytes of the video file (use --test) , info_dict { id 42 , ext mp4 , title Video title goes here , thumbnail r re ^https? //.*\.jpg$ , # TODO more properties, either as # * A value # * MD5 checksum; start the string with md5 # * A regular expression; start the string with re # * Any Python type (for example int or float) } } def _real_extract(self, url) video_id = self._match_id(url) webpage = self._download_webpage(url, video_id) # TODO more code goes here, for example ... title = self._html_search_regex(r h1 (.+?) /h1 , webpage, title ) return { id video_id, title title, description self._og_search_description(webpage), uploader self._search_regex(r div[^ ]+id= uploader [^ ]* ([^ ]+) , webpage, uploader , fatal=False), # TODO more properties (see youtube_dl/extractor/common.py) } youtube_dl/extractor/extractors.py にインポートを追加します. python test/test_download.py TestDownload.test_YourExtractor を実行します。 これは最初は失敗するはずですが、完了するまで継続的に再実行できます。 複数のテストを追加する場合は、_TEST の名前を _TESTS に変更して、辞書のリストにします。 その後、テストには TestDownload.test_YourExtractor, TestDownload.test_YourExtractor_1, TestDownload.test_YourExtractor_2 などの名前が付けられます。 テストのdictに only_matching キーを使用したテストはカウントされないことに注意してください。 可能なヘルパーメソッドと、エクストラクターが返す必要があるものと返す可能性のあるものの詳細な説明については、youtube_dl/extractor/common.py をご覧ください。 必要な数のテストとコードを追加します。 コードがyoutube-dl コーディング規則に従っていることを確認し、flake8でコードを確認してください $ flake8 youtube_dl/extractor/yourextractor.py Make sure your code works under all Python versions claimed supported by youtube-dl, namely 2.6, 2.7, and 3.2+. When the tests pass, add the new files and commit them and push the result, like this $ git add youtube_dl/extractor/extractors.py $ git add youtube_dl/extractor/yourextractor.py $ git commit -m [yourextractor] Add new extractor $ git push origin yourextractor Finally, create a pull request. We ll then review and merge it. In any case, thank you very much for your contributions! youtube-dl coding conventions This section introduces a guide lines for writing idiomatic, robust and future-proof extractor code. Extractors are very fragile by nature since they depend on the layout of the source data provided by 3rd party media hosters out of your control and this layout tends to change. As an extractor implementer your task is not only to write code that will extract media links and metadata correctly but also to minimize dependency on the source s layout and even to make the code foresee potential future changes and be ready for that. This is important because it will allow the extractor not to break on minor layout changes thus keeping old youtube-dl versions working. Even though this breakage issue is easily fixed by emitting a new version of youtube-dl with a fix incorporated, all the previous versions become broken in all repositories and distros packages that may not be so prompt in fetching the update from us. Needless to say, some non rolling release distros may never receive an update at all. Mandatory and optional metafields For extraction to work youtube-dl relies on metadata your extractor extracts and provides to youtube-dl expressed by an information dictionary or simply info dict. Only the following meta fields in the info dict are considered mandatory for a successful extraction process by youtube-dl id (media identifier) title (media title) url (media download URL) or formats In fact only the last option is technically mandatory (i.e. if you can t figure out the download location of the media the extraction does not make any sense). But by convention youtube-dl also treats id and title as mandatory. Thus the aforementioned metafields are the critical data that the extraction does not make any sense without and if any of them fail to be extracted then the extractor is considered completely broken. Any field apart from the aforementioned ones are considered optional. That means that extraction should be tolerant to situations when sources for these fields can potentially be unavailable (even if they are always available at the moment) and future-proof in order not to break the extraction of general purpose mandatory fields. Example Say you have some source dictionary meta that you ve fetched as JSON with HTTP request and it has a key summary meta = self._download_json(url, video_id) Assume at this point meta s layout is { ... summary some fancy summary text , ... } Assume you want to extract summary and put it into the resulting info dict as description. Since description is an optional meta field you should be ready that this key may be missing from the meta dict, so that you should extract it like description = meta.get( summary ) # correct and not like description = meta[ summary ] # incorrect The latter will break extraction process with KeyError if summary disappears from meta at some later time but with the former approach extraction will just go ahead with description set to None which is perfectly fine (remember None is equivalent to the absence of data). Similarly, you should pass fatal=False when extracting optional data from a webpage with _search_regex, _html_search_regex or similar methods, for instance description = self._search_regex( r span[^ ]+id= title [^ ]* ([^ ]+) , webpage, description , fatal=False) With fatal set to False if _search_regex fails to extract description it will emit a warning and continue extraction. You can also pass default= some fallback value , for example description = self._search_regex( r span[^ ]+id= title [^ ]* ([^ ]+) , webpage, description , default=None) On failure this code will silently continue the extraction with description set to None. That is useful for metafields that may or may not be present. Provide fallbacks When extracting metadata try to do so from multiple sources. For example if title is present in several places, try extracting from at least some of them. This makes it more future-proof in case some of the sources become unavailable. Example Say meta from the previous example has a title and you are about to extract it. Since title is a mandatory meta field you should end up with something like title = meta[ title ] If title disappears from meta in future due to some changes on the hoster s side the extraction would fail since title is mandatory. That s expected. Assume that you have some another source you can extract title from, for example og title HTML meta of a webpage. In this case you can provide a fallback scenario title = meta.get( title ) or self._og_search_title(webpage) This code will try to extract from meta first and if it fails it will try extracting og title from a webpage. Regular expressions Don t capture groups you don t use Capturing group must be an indication that it s used somewhere in the code. Any group that is not used must be non capturing. Example Don t capture id attribute name here since you can t use it for anything anyway. Correct r (? id|ID)=(?P id \d+) Incorrect r (id|ID)=(?P id \d+) Make regular expressions relaxed and flexible When using regular expressions try to write them fuzzy, relaxed and flexible, skipping insignificant parts that are more likely to change, allowing both single and double quotes for quoted values and so on. Example Say you need to extract title from the following HTML code span style= position absolute; left 910px; width 90px; float right; z-index 9999; class= title some fancy title /span The code for that task should look similar to title = self._search_regex( r span[^ ]+class= title [^ ]* ([^ ]+) , webpage, title ) Or even better title = self._search_regex( r span[^ ]+class=([ \ ])title\1[^ ]* (?P title [^ ]+) , webpage, title , group= title ) Note how you tolerate potential changes in the style attribute s value or switch from using double quotes to single for class attribute The code definitely should not look like title = self._search_regex( r span style= position absolute; left 910px; width 90px; float right; z-index 9999; class= title (.*?) /span , webpage, title , group= title ) Long lines policy There is a soft limit to keep lines of code under 80 characters long. This means it should be respected if possible and if it does not make readability and code maintenance worse. For example, you should never split long string literals like URLs or some other often copied entities over multiple lines to fit this limit Correct https //www.youtube.com/watch?v=FqZTN594JQw list=PLMYEtVRpaqY00V9W81Cwmzp6N6vZqfUKD4 Incorrect https //www.youtube.com/watch?v=FqZTN594JQw list= PLMYEtVRpaqY00V9W81Cwmzp6N6vZqfUKD4 Inline values Extracting variables is acceptable for reducing code duplication and improving readability of complex expressions. However, you should avoid extracting variables used only once and moving them to opposite parts of the extractor file, which makes reading the linear flow difficult. Example Correct title = self._html_search_regex(r title ([^ ]+) /title , webpage, title ) Incorrect TITLE_RE = r title ([^ ]+) /title # ...some lines of code... title = self._html_search_regex(TITLE_RE, webpage, title ) Collapse fallbacks Multiple fallback values can quickly become unwieldy. Collapse multiple fallback values into a single expression via a list of patterns. Example Good description = self._html_search_meta( [ og description , description , twitter description ], webpage, description , default=None) Unwieldy description = ( self._og_search_description(webpage, default=None) or self._html_search_meta( description , webpage, default=None) or self._html_search_meta( twitter description , webpage, default=None)) Methods supporting list of patterns are _search_regex, _html_search_regex, _og_search_property, _html_search_meta. Trailing parentheses Always move trailing parentheses after the last argument. Example Correct lambda x x[ ResultSet ][ Result ][0][ VideoUrlSet ][ VideoUrl ], list) Incorrect lambda x x[ ResultSet ][ Result ][0][ VideoUrlSet ][ VideoUrl ], list, ) Use convenience conversion and parsing functions Wrap all extracted numeric data into safe functions from youtube_dl/utils.py int_or_none, float_or_none. Use them for string to number conversions as well. Use url_or_none for safe URL processing. Use try_get for safe metadata extraction from parsed JSON. Use unified_strdate for uniform upload_date or any YYYYMMDD meta field extraction, unified_timestamp for uniform timestamp extraction, parse_filesize for filesize extraction, parse_count for count meta fields extraction, parse_resolution, parse_duration for duration extraction, parse_age_limit for age_limit extraction. Explore youtube_dl/utils.py for more useful convenience functions. More examples Safely extract optional description from parsed JSON description = try_get(response, lambda x x[ result ][ video ][0][ summary ], compat_str) Safely extract more optional metadata video = try_get(response, lambda x x[ result ][ video ][0], dict) or {} description = video.get( summary ) duration = float_or_none(video.get( durationMs ), scale=1000) view_count = int_or_none(video.get( views )) EMBEDDING YOUTUBE-DL youtube-dl makes the best effort to be a good command-line program, and thus should be callable from any programming language. If you encounter any problems parsing its output, feel free to create a report. From a Python program, you can embed youtube-dl in a more powerful fashion, like this from __future__ import unicode_literals import youtube_dl ydl_opts = {} with youtube_dl.YoutubeDL(ydl_opts) as ydl ydl.download([ https //www.youtube.com/watch?v=BaW_jenozKc ]) Most likely, you ll want to use various options. For a list of options available, have a look at youtube_dl/YoutubeDL.py. For a start, if you want to intercept youtube-dl s output, set a logger object. Here s a more complete example of a program that outputs only errors (and a short message after the download is finished), and downloads/converts the video to an mp3 file from __future__ import unicode_literals import youtube_dl class MyLogger(object) def debug(self, msg) pass def warning(self, msg) pass def error(self, msg) print(msg) def my_hook(d) if d[ status ] == finished print( Done downloading, now converting ... ) ydl_opts = { format bestaudio/best , postprocessors [{ key FFmpegExtractAudio , preferredcodec mp3 , preferredquality 192 , }], logger MyLogger(), progress_hooks [my_hook], } with youtube_dl.YoutubeDL(ydl_opts) as ydl ydl.download([ https //www.youtube.com/watch?v=BaW_jenozKc ]) BUGS Bugs and suggestions should be reported at https //github.com/ytdl-org/youtube-dl/issues. Unless you were prompted to or there is another pertinent reason (e.g. GitHub fails to accept the bug report), please do not send bug reports via personal email. For discussions, join us in the IRC channel #youtube-dl on freenode (webchat). Please include the full output of youtube-dl when run with -v, i.e. add -v flag to your command line, copy the whole output and post it in the issue body wrapped in ``` for better formatting. It should look similar to this $ youtube-dl -v your command line [debug] System config [] [debug] User config [] [debug] Command-line args [u -v , u https //www.youtube.com/watch?v=BaW_jenozKcj ] [debug] Encodings locale cp1251, fs mbcs, out cp866, pref cp1251 [debug] youtube-dl version 2015.12.06 [debug] Git HEAD 135392e [debug] Python version 2.6.6 - Windows-2003Server-5.2.3790-SP2 [debug] exe versions ffmpeg N-75573-g1d0487f, ffprobe N-75573-g1d0487f, rtmpdump 2.4 [debug] Proxy map {} ... Do not post screenshots of verbose logs; only plain text is acceptable. The output (including the first lines) contains important debugging information. Issues without the full output are often not reproducible and therefore do not get solved in short order, if ever. Please re-read your issue once again to avoid a couple of common mistakes (you can and should use this as a checklist) Is the description of the issue itself sufficient? We often get issue reports that we cannot really decipher. While in most cases we eventually get the required information after asking back multiple times, this poses an unnecessary drain on our resources. Many contributors, including myself, are also not native speakers, so we may misread some parts. So please elaborate on what feature you are requesting, or what bug you want to be fixed. Make sure that it s obvious What the problem is How it could be fixed How your proposed solution would look like If your report is shorter than two lines, it is almost certainly missing some of these, which makes it hard for us to respond to it. We re often too polite to close the issue outright, but the missing info makes misinterpretation likely. As a committer myself, I often get frustrated by these issues, since the only possible way for me to move forward on them is to ask for clarification over and over. For bug reports, this means that your report should contain the complete output of youtube-dl when called with the -v flag. The error message you get for (most) bugs even says so, but you would not believe how many of our bug reports do not contain this information. If your server has multiple IPs or you suspect censorship, adding --call-home may be a good idea to get more diagnostics. If the error is ERROR Unable to extract ... and you cannot reproduce it from multiple countries, add --dump-pages (warning this will yield a rather large output, redirect it to the file log.txt by adding log.txt 2 1 to your command-line) or upload the .dump files you get when you add --write-pages somewhere. Site support requests must contain an example URL. An example URL is a URL you might want to download, like https //www.youtube.com/watch?v=BaW_jenozKc. There should be an obvious video present. Except under very special circumstances, the main page of a video service (e.g. https //www.youtube.com/) is not an example URL. Are you using the latest version? Before reporting any issue, type youtube-dl -U. This should report that you re up-to-date. About 20% of the reports we receive are already fixed, but people are using outdated versions. This goes for feature requests as well. Is the issue already documented? Make sure that someone has not already opened the issue you re trying to open. Search at the top of the window or browse the GitHub Issues of this repository. If there is an issue, feel free to write something along the lines of "This affects me as well, with version 2015.01.01. Here is some more information on the issue ...". While some issues may be old, a new post into them often spurs rapid activity. Why are existing options not enough? Before requesting a new feature, please have a quick peek at the list of supported options. Many feature requests are for features that actually exist already! Please, absolutely do show off your work in the issue report and detail how the existing similar options do not solve your problem. Is there enough context in your bug report? People want to solve problems, and often think they do us a favor by breaking down their larger problems (e.g. wanting to skip already downloaded files) to a specific request (e.g. requesting us to look whether the file exists before downloading the info page). However, what often happens is that they break down the problem into two steps One simple, and one impossible (or extremely complicated one). We are then presented with a very complicated request when the original problem could be solved far easier, e.g. by recording the downloaded video IDs in a separate file. To avoid this, you must include the greater context where it is non-obvious. In particular, every feature request that does not consist of adding support for a new site should contain a use case scenario that explains in what situation the missing feature would be useful. Does the issue involve one problem, and one problem only? Some of our users seem to think there is a limit of issues they can or should open. There is no limit of issues they can or should open. While it may seem appealing to be able to dump all your issues into one ticket, that means that someone who solves one of your issues cannot mark the issue as closed. Typically, reporting a bunch of issues leads to the ticket lingering since nobody wants to attack that behemoth, until someone mercifully splits the issue into multiple ones. In particular, every site support request issue should only pertain to services at one site (generally under a common domain, but always using the same backend technology). Do not request support for vimeo user videos, White house podcasts, and Google Plus pages in the same issue. Also, make sure that you don t post bug reports alongside feature requests. As a rule of thumb, a feature request does not include outputs of youtube-dl that are not immediately related to the feature at hand. Do not post reports of a network error alongside the request for a new video service. Is anyone going to need the feature? Only post features that you (or an incapacitated friend you can personally talk to) require. Do not post features because they seem like a good idea. If they are really useful, they will be requested by someone who requires them. Is your question about youtube-dl? It may sound strange, but some bug reports we receive are completely unrelated to youtube-dl and relate to a different, or even the reporter s own, application. Please make sure that you are actually using youtube-dl. If you are using a UI for youtube-dl, report the bug to the maintainer of the actual application providing the UI. On the other hand, if your UI for youtube-dl fails in some way you believe is related to youtube-dl, by all means, go ahead and report the bug. COPYRIGHT youtube-dl is released into the public domain by the copyright holders. This README file was originally written by Daniel Bolton and is likewise released into the public domain.
https://w.atwiki.jp/oper/pages/621.html
管理人より こちらに掲載している原語リブレットはどうやらホーフマンスタールの生台本だったようで、シュトラウスが音楽を付けてない部分や追加した詩句があるようです。生台本は話のつながりがスムーズな点もあるということで、wagnerianchanさまはそのまま訳出してくれました。管理人がシュトラウスがカットした原語部分をグレーにする処理を行っています。通常のリブレット日本語対訳はこちらをご覧ください。 → メモ@広報室 ZDENKAS STIMME<ズデンカの声 (上から) パパ!ママ! (全員、上を見上げる) ZDENKA (ネグリジェを着て、髪を解きほどいた 少女のままの姿で、階段を駆け下りてくると、 父親の膝の上に身を投げる) パパ! (アラベラは立ちあがる) ADELAIDE (ズデンカの姿を自分のショールで隠しながら) ズデンカ!何て格好よ!何て恥ずかしいことを! ARABELLA 何が起こったのよ!ズデンカ!言って。私はあなたの味方よ。 ZDENKA 早くみんなにさよならを告げたいだけ。行かなけりゃいけないわ。朝になるまでに、ドナウ河に身投げしなけりゃ。 WALDNER どういうことだ? DIE SPIELER (小声でもごもごと) あの可愛らしい女の子は誰だろう? MANDRYKA (独り言で) あの顔、今日どこかで見た覚えがあるぞ! ZDENKA お願いだから許して…行かせてください! とても恥ずかしいの…死にそうなほど… だから行かせてください! 夜が明ける前には、横たわっていたいの…土の中深くに… そうすれば、みんな許してくれるわよね。パパでさえも! ARABELLA (ズデンカを抱きしめて、自分の方へ引き寄せ) 私のそばにいて。あなたに何が起きたとしても、 みんながあなたを嫌いになることは決してないわ! ZDENKA (マッテオを指差して) あの人は無実よ。何も知らなかったんだもの。 私一人だけが・・・ ADELAIDE ああ、お黙り。恥ずかしい子だわ! 死んでも黙っていなさい! WALDNER お前こそ黙っていろ。この子に話させろ。 今こそ、お前たちの仮面舞踏会の報いを受ける時が来たのだ。 ZDENKA (アラベラに) お姉さんにだけ話すわ。 お姉さん、あなた一人にだけ! ARABELLA 私はあなたの味方よ。見捨てたりはしない。 あなたの味方よ! ZDENKA (アラベラに体をぴったり寄せて) あの人は、あなただと信じ込んだのよ! あの人が心配なあまり、 私そうしてしまったの。 ベッラ、わかってくれるかしら! あの人はまだ知らないのよ。私だったってことを! (不安にみちて) マッテオ! MATTEO ぼくを呼ぶ可愛らしいこの声は、誰の声なんだ? ZDENKA (恥ずかしそうに) あなたを騙した女の子の声よ!マッテオ! あなたのただ一人の友だったズデンコが呼んでいる声なの! 私は女。ああ・・・昔から女でしかなかったのよ! MATTEO ああ、ぼくの友!女友達!君こそ、ぼくの全てだ! ZDENKA 許しを乞わねばならない。あなたにも、お姉さんにも、 お二人に・・・ああ、神様! (顔を手でおおう) ARABELLA こんなにも愛にあふれた人が許しを乞うのですもの。 私こそ、この方に許しを乞わねばならないわ! (ズデンコを体に引き寄せてキスをする) MATTEO 部屋は真っ暗で、君の声は聴こえなかった・・・ だけど、まるで予感していたみたいなんだ。 初めから、こうなることを・・・可愛いズデンコ! (ズデンカは優しい眼差しでマッテオを見つめながら、なおもアラベラの腕の中にいる) MANDRYKA (独り言で) あの子は、あの時の従者じゃないか!穴があったら入りたい! あの人が許してくれるはずがあろうか! 私自身、自分を許せないというのに! (ヴェルコは2振りの騎士用サーベルを手に持って入ってくる。それに続き、箱に入った2丁のピストルを持ったデューラ。更にその後に医者が入ってくる。マンドリカは彼らの姿を見ると、来ないよう合図する。彼らは舞台右手で立ち止まる) WALDNER (マンドリカと同じように彼らが来るのを見ていたが、賭博師として冷徹に覚悟を決めて) 大変けっこう。 これで、差し向いの決闘ができますな。 ことは父親の名誉の問題ですから。 DIE DREI SPIELER おお!おお! MANDRYKA (ヴァルトナーのことは気にせず、ただアラベラに向かって) あなたの前に立てたものでしょうか!アラベラ! わかっています・・・あなたの眼差しを受ける 人間には生涯、値しないということは! 両手のこぶしを振り上げただけの、ただの間抜けです。 最高の幸せをこの手につかもうとしている、 と思ったのに! 今はそれにふさわしくない男です・・・ まるで手のひらを返したように一瞬にして。 そして後に残ったのは、 最後の瞬間に至るまでの、悔いと恥だけです。 ARABELLA ズデンカ。 あなたのほうが私よりも素敵な女性だわ。あなたは、あたしよりも、愛に満ちた心を持っている。あなたにとって、心に命じられるまま行うことよりも価値のあることは、この世界にないのね。ありがとう。あなたは、とても大事なことを教えてくれた。何も望んだり、欲しがったりしちゃいけない。比較したり、値踏みしたり、物惜しみしたりしてはいけない。常に、与え、愛さねばならないんだわ! (だが、そう言いつつも彼女は、マンドリカが心から待ち望んでいる全てを和解させる眼差しを与えない) ZDENKA (アラベラと声を合わせて) なんて優しい言葉をかけてくださるの!怒らないなんて! お姉さんは言葉にできないくらいいい方よ。 私が誰よりも良く知っているの。 お姉さんのためなら、あたし何でもするわ・・・ (一人で) 本当は、静かに去ってしまって、誰も傷つけたくなかったの! でも、わかってくださるのね。 何が起ころうと、私のことを見捨てたりはしないのね! MANDRYKA (きわめておどおどと、独り言で) 何が起ころうと、か・・・。 ADELAIDE 神様!何て恥ずかしいことだらけ! ああ、こんな夜なければ良かったのに! あの占い師は、こんなこと予言しなかったのに! WALDNER (しっかりした口調で) 次に何が起こるかは、はっきりしているぞ! (ピストルのほうを見ながら決然とした足取りで進む) ARABELLA (ズデンカに) 何が起ころうとも、私はあなたの味方! MANDRYKA (心を押し潰されたように、アラベラを見ながら) 何が起ころうとも・・・ ZDENKA (不安に満ちて) パパ! MATTEO 君は天から降りて来た天使! この世に汚されることなどあるものか! MANDRYKA (ますます重苦しい心で) 何が起ころうとも・・・ (去って行こうとする) ARABELLA (ズデンカの肩越しに、ささやくような声で) マンドリカ! (ズデンカを越えて、手を突き出す) MANDRYKA (手に顔をうずめる) 私には、お許しいただく価値はありません! ARABELLA 何も言わないで。マンドリカ! 話すことはもうないわ。何があったかなんて 忘れてしまいました! 私たちのせいではなかったのよ。 これから始まることにこそ、 思いを注ぎましょうよ。 MANDRYKA これから始まることにこそ? (マンドリカは素早く、きっぱりとマッテオの手をつかむと、ヴァルトナーのほうへと連れて行く) 仲人が参上いたしました! 私は、この紳士とともに、閣下・・・ あなたの前に進み出るのです。この頭を下げ、このお人の友人として、あなた様にお願いするのです。このお人が若き御令嬢のお手を握るのを拒みませぬようにと。 (ヴァルトナーは拒絶するような仕草をする) MANDRYKA 巨きな愛が、このお人に力を与えたのです。拒絶してはなりません! ZDENKA (弱々しく) マッテオ!ああ、パパ!やはりそれしかないのね? 出て行かなけりゃいけないのね? ARABELLA あなたにふさわしい幸せが、きっと手に入るはずよ! WALDNER (心を動かされ、ズデンカにキスする) そんなに泣くんじゃない。おチビさん。握手しようじゃないか、ねえ、少尉殿。 (マッテオに手を差し出す) ADELAIDE ああ、テオドール。なんという展開なの! WALDNER 素晴らしいじゃないか! ADELAIDE (涙を流しながら) ああ、テオドール! WALDNER (アデライーデをしばし抱きしめると、すぐギャンブル仲間のほうに向き直り) さあ、体があいた!みんな行くぞ! (急いで半屋外の庭に飛び出していく。仲間たちもそれに続く) DIE GÄSTE (ぶつぶつぼやく) 寝るとするか。もう何も起こらないよ。 (見えなくなる) ARABELLA 上に上がってよ、ママ。 (マンドリカはアラベラのほうに一歩近寄る) ARABELLA 話すことはもうないわ。 陽差しが射し込む時までね!そう言わなかった? (アデライーデとズデンカは階段を上って2階に行く) ZDENKA (やさしい声で) マッテオ! ARABELLA お行きなさい。あの方は、明朝また来るわ。 そしたら、もうずっとあなたのものよ。 (マッテオは姿を消す。マンドリカは不安と緊張のうちに立っている) ARABELLA (マンドリカに向かって、極めて素っ気なく) あなたの従者さんに、 中庭の井戸で、きれいなお水を汲んでもらい、 私の部屋まで届けてもらってよろしいでしょうか? (ヴェルコは駆け足で退場) ARABELLA そしたら、きっと気分が良くなると思うの! (階段を登って行ってしまう) MANDRYKA (アラベラが上にたどり着くまでずっと見守っている。誰かが灯りを消してしまったらしく、部屋は前よりひどく暗くなっている)目を向けてもくれなかったし、 おやすみの挨拶もなかった。 私をほうったまま行ってしまった。 だが私自身が蒔いた種じゃないか? 一体もっと私にふさわしいことがあるのか? 何もない。 私のような男には、 ムチ打ちの刑こそ、お似合いだ・・・ だが、せめて一目なりとも 目を向けてくれていたら・・・ ああ、ほんの目くばせでも良かったのに! (水のグラスを載せたトレーを持ってヴェルコが現れ、物問いたげにマンドリカを見つめる) MANDRYKA さあ、上に持って行くんだ! (ヴェルコは階段を登って行く) MANDRYKA (ぼんやりとした悲しげな目で) あの人は、これだけしか言わなかった・・・ 水を飲みたい、と。 私を目にしていたくない、と。 私を嘲ろうとして、そう言ったのだろうか? そうかも知れない・・・。 だが、笑われるだけですめば、 むしろ情けとは言えないだろうか。 神もご存知の通り、身に余る情けだ! (マンドリカは身をひるがえして去っていこうとするが、ふん切りがつかない。しかし、もう一度、重たい足取りで去っていこうとする。その時、アラベラが階上に現れ、マンドリカがいないか見下ろす。マンドリカを見付けると、彼女の顔は輝きわたり、グラスを持ったまま、ゆっくりと階段を降りて行く。ヴェルコがその後に続く。マンドリカが、舞台から消えようとする所で振り向くと、トレーを両手に持ち、しめやかな足取りでゆっくりと階段を降りて来るアラベラの姿が目に飛び込んで来る。嬉しい驚きのあまり、彼は後じさりする) ARABELLA (階段の最後の一段に立って) ほんとに良かった。マンドリカ・・・ あなたが去ってしまわなくって・・・ (一歩一歩マンドリカのほうへ歩み寄って行く) 私はこのグラスのお水を一人で飲んでしまおうと思っていた。 さっき起こったひどい出来事を忘れて、静かに眠りにつき、 あなたのことも、私のことも、もう考えないでおこうと思っていたの。 いつか私達に再び陽射しが降り注ぐその日まで・・・ ですが、暗がりの中に、あなたの存在を感じた時、 何か巨きな力が、天上から私の心に落ちて来て、 私はもう飲み物で気晴らしをしなくても良くなった。 いいえ・・・もうすでに、私は幸福に包まれて、晴れやかな気持ちなの。だから、まだ口を付けていないこの飲み物は、友であるあなたに飲んでいただきます。私の娘時代が終わる、この最後の夜に。 (アラベラは階段の最後の一段を降りると、マンドリカにグラスを差し出す。ヴェルコは手慣れた手つきで、空になったトレイを彼女の手から受け取ると、姿を消す) MANDRYKA (一息で飲み干し、グラスを右手に高々と掲げながら) 私の後には、もうこのグラスから飲む者はいません! そうです。永遠に、あなたは私のもので、 私はあなたのものなのです! (グラスを石の階段に投げつけて粉々にする) ARABELLA (また階段を登り、マンドリカの肩に手を置く) いま私たちは婚約し、固い絆に結ばれたのです・・・ 喜びの時も、悲しみの時も、 傷つけあう時も、赦しあう時も! MANDRYKA どんな時も!ぼくの天使・・・。 これから何が起ころうとも! ARABELLA 信じ続けてくれるわね・・・? MANDRYKA ずっと今のままのあなたでいてくれますか? ARABELLA どうしたら別のものになれるというの? あるがままの私を受けとめて! (アラベラはマンドリカの腕の中に身を投げる。マンドリカがキスをすると、アラベラは素早く身を離して、階段を駆け上がる。マンドリカは、そのアラベラの姿を目で追い続ける) (幕が降りる) ZDENKAS STIMME von oben Papa! Mama! Alle sehen auf ZDENKA in einem Negligé, mit offenem Haar, völlig Mädchen, kommt die Treppe heruntergestürzt, wirft sich vor ihrem Vater auf die Knie Papa! Arabella steht auf ADELAIDE bedeckt Zdenka mit ihrer Mantille Zdenka!.was für ein Aufzug! welche Schande! ARABELLA Was ist geschehen! Zdenkerl! Red. Ich bin bei dir. ZDENKA Nur schnell Adieu sag ich euch allen. Ich muss fort. Ich muss ja in die Donau noch bevor es Tag wird. WALDNER Was soll das heissen? DIE SPIELER murmelnd Wer ist wieder dieses hübsche Mädel? MANDRYKA für sich Ich hab doch das Gesicht schon heute wo gesehn! ZDENKA Verzeihts mir alles nur - und lassts mich fort! Ich schäm mich so - ich sterb vor Scham - so lassts mich fort! Vor Sonnenaufgang schon muss ich drin liegen - tief - nachher dann werden alle mir verzeihn, auch der Papa! ARABELLA umschlingt sie und zieht sie an sich Du bleibst bei mir. Und was dir auch geschehen ist, an dir ist nichts geschehn, dass man dich weniger lieb müsst haben! ZDENKA auf Matteo deutend Er ist unschuldig. Er hat nichts gewusst. Nur ich allein - ADELAIDE Schweig, unglückseliges Kind! Schweig bis ans Grab! WALDNER Schweig du sofort, und reden lass das Mädell Da habts ihr jetzt den Lohn von euren Maskeraden. ZDENKA zu Arabella Nur dir kann ich es sagen, dir nur, dir allein! ARABELLA Ich bin bei dir, ich lass dich nicht im Stich, ich bin bei dir! ZDENKA an sie geschmiegt Er hat geglaubt, dass du es bist! ich habs getan aus Angst um ihn, Bella, verstehst du mich! Er weiss ja jetzt noch nicht, dass ich es war! angstvoll Matteo! MATTEO Welche süsse Stimme ruft mich an? ZDENKA schamhaft Die Stimme der Betrügerin, Matteo! Dein Freund, dein einziger, dein Zdenko ruft zu dir! Ich bin ein Mädchen, o mein Gott, ich war ja nie was andres! MATTEO O du mein Freund! Du meine Freundin! Du mein Alles! ZDENKA Dich muss ich um Verzeihung bitten, dich und sie euch beide - o mein Gott! Sie bedeckt ihr Gesicht mit den Händen ARABELLA Wenn zu viel Liebe um Verzeihung bitten muss, so bitte ihn halt um Verzeihung! Drückt sie an sich und küsst sie MATTEO Im Zimmer wars zu finster, deine Stimme hab ich nicht gehört - und doch ist mir als hätt ich es geahnt von Anfang an, o süsser kleiner Zdenko! Zdenka sieht ihn zärtlich an, bleibt aber in Arabellas Armen MANDRYKA für sich Das Mädel war der groom! Ich möcht in Boden sinken! Wie soll sie jemals mir verzeihen können wo ich mir selber nicht verzeihen kann! Welko kommt von rechts, zwei Cavalleriesäbel im Arm. Hinter ihm Djura mit zwei Pistolen in einem Kästchen, dahinter ein Arzt. Mandryka sieht sie, winkt ab. Sie bleiben rechts stehen WALDNER hat sie gleichfalls gesehen. Mit der kalten Entschlossenheit des Spielers Sehr gut. jetzt habe ich mein richtiges vis-ä-vis. Die Sache geht allein den Vater an. DIE DREI SPIELER Oho! oho! MANDRYKA ohne auf Waldner zu achten; nur zu Arabella Wie stehe ich vor Ihnen, Arabellal Ich weiss nicht einen Blick von Ihnen bin ich wert mein Leben lang! So wie ein Tölpel, mit den beiden Fäusten da, hab ich gemeint, man dürfe greifen nach dem allergrössten Glück! und bin unwert geworden - so im Handumdrehn. Und jetzt bleibt Reue und Mich-schämen bis an meinen letzten Tag. ARABELLA Zdenkerl, du bist die Bessere von uns zweien, du hast das liebevollere Herz, und nichts ist da für dich nichts in der Welt, als was dein Herz dich heisst zu tun. Ich dank dir schön, du gibst mir eine grosse Lehre dass wir nichts wollen dürfen, nichts verlangen, abwägen nicht und markten nicht und geizen nicht, nur geben und lieb haben immer fort! Sie gibt dabei nicht Mandryka den sehnlich erwarteten Blick, der alles ausgleichen würde ZDENKA zugleich mit ihr Wie sanft du zu mir sprichst! du bist nicht bös auf mich! Du bist so unaussprechlich gut, ich kenn dich wie dich keiner kennt, und immer möcht ich alles dir zu liebe tun - allein und nur verschwinden hätt ich mögen still und euch nicht kränken! aber du verstehst mich, du, und wirst mich nicht verlassen, was auch jetzt noch kommt! MANDRYKA vor sich, sehr zaghaft Was jetzt noch kommt - ADELAIDE O Gott! o Übermass der Schande! Oh wäre dieser Abend nie gewesen! Das hat keine Prophetin uns vorausgesagt! WALDNER fest Was jetzt noch kommt, das ist ganz klar! Er tut einen entschlossenen Schritt, mit einem Blick auf die Pistolen ARABELLA zu Zdenka Was immer kommt, ich bin bei dir! MANDRYKA den Blick auf Arabella, gepresst Was jetzt noch kommt - ZDENKA angstvoll Papa! MATTEO Engel vom Himmel, da sei Gott vor, dass dich die Welt beschmutzen dürfe! MANDRYKA noch gepresster Was jetzt noch kommt - er wendet sich zum Gehen ARABELLA leise, über Zdenkas Schulter hin Mandryka! Sie hält ihre Hand über Zdenka hin in die Luft MANDRYKA stürzt sich auf die Hand Ich bin nicht wert solche Verzeihung! ARABELLA Still Mandryka! Wir sprechen jetzt nichts mehr. Wir haben jetzt vergessen, was uns hier geschehen ist! Es war nicht unsere Schuld. Wir wollen allen guten Willen haben, für das was jetzt noch kommt! MANDRYKA Für das was jetzt noch kommt? Er ergreift schnell entschlossen Matteo's Hand und führt diesen auf Waldner zu Brautwerbung kommt! Mit diesem Herrn da trete ich vor Ihnen, hochgeborener Herr, verneige mich und bitte vor für ihn als meinen Freund, dass Sie die Hand nicht weigern ihm von diesem jungen Fräulein. Waldner macht eine abwehrende Gebärde MANDRYKA Nicht weigern ihm was grosse Liebe ihm verliehen hat! ZDENKA schwach Matteo! oh, Papa! was ist das alles? muss ich nicht fort? ARABELLA Du musst jetzt glücklich sein wie dus verdienst! WALDNER ist gerührt, küsst sie So wein nicht, Kleine. Reichen Sie mir Ihre Hand, mein Herr. Er reicht Matteo die Hand ADELAIDE Oh Theodor, welch eine Wendung! WALDNER Colossal! ADELAIDE in Tränen Oh Theodor! WALDNER umarmt Adelaide flüchtig, wendet sich dann gleich zu den Spielern Ich stehe zur Verfügung, meine Herrn! Eilig ab in den Wintergarten, die Spieler mit ihm DIE GÄSTE murmeln Wir gehen schlafen. jetzt passiert nichts mehr. Verschwinden ARABELLA Führ sie hinauf, Mama. Mandryka tritt einen Schritt auf Arabella zu ARABELLA Wir sprechen jetzt nichts mehr, bis wieder heller Tag ist! Meinen Sie nicht auch? Adelaide und Zdenka steigen die Stiege hinauf in den ersten Stock ZDENKA zärtlich Matteo! ARABELLA Geh nur, er kommt morgen früh. Dann hast du ihn für immer. Matteo verschwindet. Mandryka steht ängstlich gespannt da ARABELLA zu Mandryka hin, sehr leicht Kann Ihr Diener im Hof zum Brunnen gehn und mir ein Glas recht frisches Wasser bringen dort hinauf? Welko eilt ab ARABELLA Ich glaub' es täte mir ganz gut! Sie geht die Stiege hinauf MANDRYKA sieht ihr nach, bis sie oben ist. Jemand muss noch eine Lampe ausgedreht haben, es ist jetzt merklich finsterer Sie gibt mir keinen Blick, sie sagt nicht Gute Nacht, sie lässt mich stehn und geht. Hab ich was anderes verdient? Was ist verdient auf dieser Welt? Verdient ist nichts, Stockprügel sind verdient für einen Kerl wie mich - aber geschenkt hätt ich gern einen Blick genommen - so einen halben Blick! Welko erscheint, mit einem Glas Wasser auf einem Tablett, sieht Mandryka fragend an MANDRYKA Geh nur hinauf! Welko geht hinauf MANDRYKA traurig vor sich Sie hat gar nichts gemeint, als ein Glas Wasser haben und Ruh vor meinem Anblick. Oder spotten hat sie wollen, vielleicht - ? Wenn sie nur spottet wenigstens, ists doch schon eine Gnade, eine unverdiente, das weiss Gott! Er wendet sich zum Gehen, zögert, wendet sich wieder, schwer, zum Gehen. Arabella erscheint oben, sieht hinunter, ob er da ist, ihr Gesicht leuchtet auf. Sie nimmt das Glas, und steigt mit dem Glas langsam hinunter. Welko hinter ihr. Mandryka schon fast nicht mehr da, wendet sich, sieht Arabella mit dem Glas, das sie mit beiden Händen auf dem Tablett trägt, langsam und feierlich herunterkommen. Vor freudigem Schrecken tritt er hinter sich ARABELLA von der letzten Stufe Das war sehr gut, Mandryka, dass Sie noch nicht fortgegangen sind - Mandryka Schritt für Schritt näher Das Glas da habe ich austrinken wollen ganz allein auf das Vergessen von dem Bösen, was gewesen ist und still zu Bett gehn, und nicht denken mehr an Sie und mich, bis wieder heller Tag gekommen wäre über uns, Dann aber, wie ich Sie gespürt hab hier im Finstern stehn hat eine grosse Macht mich angerührt von oben bis ans Herz dass ich mich nicht erfrischen muss mit einem Trunk nein, mich erfrischt schon das Gefühl von meinem Glück, und diesen unberührten Trank credenz ich meinem Freund, den Abend, wo die freie Mädchenzeit zu Ende ist für mich. Sie steigt von der Stufe und reicht ihm das Glas hin. Welko nimmt ihr geschickt das leere Tablett aus der Hand und verschwindet MANDRYKA indem er schnell in einem Zug austrinkt und das Glas hoch in seiner Rechten hält So wahr aus diesem Glas da keiner trinken wird nach mir, so bist du mein und ich bin dein auf ewige Zeit! Er schmettert das Glas auf die Steinstufen ARABELLA steht wieder auf der Stufe und legt ihm die Hand auf die Schulter Und so sind wir Verlobte und Verbundene auf Freud und Leid, und Wehtun und Verzeihn! MANDRYKA Auf immer, du mein Engel, und auf alles was da kommen wird! ARABELLA Und du wirst glauben - ? MANDRYKA Du wirst bleiben wie du bist? ARABELLA Ich kann nicht anders werden, nimm mich wie ich bin! Sie sinkt ihm in die Arme, er küsst sie, sie macht sich schnell los und läuft die Stiege hinauf. Er sieht ihr nach Vorhang この日本語テキストは、 クリエイティブ・コモンズ・ライセンス の下でライセンスされています。@wagnerianchan Strauss,Richard/Arabella
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ACTE PREMIER Le jour de la Feria CRIS DE FOULE derrière le rideau Alza! alza! alza! Le rideau se lève. Une place publique en Espagne. A droite une hôtellerie. A gauche la demeure de la belle Dulcinée. Foule, grand mouvement, danses, beuveries. Alza! Alza! Olé etc. en désignant la maison de Dulcinée; gaîment Vivat Dulcineée, fantasque et fêtée! Vivat! Vivat! Vivat! Alza! Alza! etc. Arrivent alors les 4 amoureux sous le balcon de Dulcinée PEDRO, GARCIAS, RODRIGUEZ, JUAN Belle, dont le charme est l empire, Faites l aumône d un sourire, Et d un regard de vos grands yeux À nos pauvres coeurs amoureux, Dulcinée, enchanteresse, Pour un instant Délaisse le nouvel amant Que t a choisi ta fantaisie; Et parais Devant tes sujets, Ô Dulcinée! Ô souveraine! Dulcinée! Reine! Gentille Reine! TOUS Parais! LA FOULE Anda! Alza! Anda! Les Danses reprennent Dulcinée apparaît sur le balcon. Les Danses s arrêtent. Les 4 amoureux avec joie apercevant Dulcinée. PEDRO, GARCIAS, RODRIGUEZ, JUAN Dulcinée! LA FOULE se courbant avec admiration Dulcinée! DULCINÉE gaie, debout sur le balcon Alza! Alza! à la foule, amusée Quand la femme a vingt ans, la majesté surpême Ne doit pas avoir grands attraits! L on possède un beau diadème, Mais après, mes amis après? après? On vit dans une apothéose, Vos jours, sont de gloire entourés, Mais il doit manquer quelque chose Ou quelqu un, ou quelqu un... gaîment Ah! Comme vous voudrez. TOUS Tous, à Dulcinée, en l applaudissant avec enthousiasme Belle dont le charme est l empire; Dulcinée! Reine! Sois notre Reine! DULCINÉE chaleureusement Alza! Quand la femme a vingt ans, D hommages l on vous environne Durant le jour; oui, mais la nuit... Parce qu on porte une couronne... Le temps d amour s enfuit. Hélas! Hélas! Et pour calmer le coeur morose Et les ennuis exaspérés, Il doit bien manquer quelque chose Ou quelqu un, ou quelqu un... Ah! Comme vous voudrez. TOUS Dulcinée! Reine! Sois notre Reine! Alza! DULCINÉE Alza! Alza! à tous, avec effusion Amis, à tous, ici,merci! Amis, merci, merci! Elle disparaît pendant les acclamations joyeuses de la foule qui se répand sur la place. La foule s est répandue sur la place et dans les rues avoisinantes. Rodriguez et Juan causent à l écart. RODRIGUEZ légèrement Dulcinée est certes jolie, Mais on doit l aimer seulement Comme on cueille une fleur, un matin de printemps, Autrement c est folie! JUAN avec un soupir attristé Je l adore pourtant, Cette perverse enchanteresse. RODRIGUEZ avec pitié Si tu l aimes d amour fervent... Que de tristesse tu te réserves, Mon pauvre ami! Très au loin on entend des rires et des acclamations; c est la venue de Don Quichotte et de Sancho qui en est la cause. RODRIGUEZ rieur, ayant regardé au loin pour se rendre compte d où venaient ces rumeurs joyeuses. Pour te désennuyer, Regarde Don Quichotte et son gros écuyer. JUAN avec un rire méprisant Ce fantoche grotesque, Ce vieux fou pédantesque, Qui déclare que Dulcinée Est la "Dame De ses pensées!" Tandis que celle-ci se rit de lui! RODRIGUEZ avec fermeté Tant pis! Car il est brave Et franc comme une lame... JUAN moqueur Et beau! RODRIGUEZ sincère De la beauté merveilleuse de l âme. JUAN méprisant Certes, il est extravagant, Toqué, cocasse, inélégant. RODRIGUEZ Mais il secourt la veuve et les enfants sans mère. JUAN Apôtre halluciné? RODRIGUEZ Porté par la Chimère, Il parcourt plaines et vallons, Escalade les pics, Poursuit les chemins longs. JUAN rieur Ah! c est un être exquis! RODRIGUEZ De très haute envergure Que le bon Chevalier... JUAN terminant ironiquement la phrase ...de la Longue Figure! LA FOULE par groupes, au fond de la place; regardant au dehors Allégresse! autre groupe Allégresse! Les acclamations se rapprochent. Groupes venant du dehors et annonçant la venue de Don Quichotte. Allégresse! groupes venant du dehors; de même Allégresse! Don Quichotte est monté sur Rossinante; il a la lance au poing. Sancho est sur son Grison. Entrée comique. Les enfants les précèdent en faisant la roue. La Foule s amuse en les acclamant, des bonnets sautent en l air. Don Quichotte est revêtu de sa vieille armure, casqué de son armet. Toute la foule entourant Don Quichotte impassible et Sancho radieux. LA FOULE en acclamations joyeuse Vive Don Quichotte de la Manche! Vive le fidèle et bon Sanche! Vivat pour Rossinante... et l âne et l écuyer! Allégresse! Allégresse! Vive Don Quichotte de la Manche! Vive, vive le bon Sanche! Allégresse! Allégresse! Vive Don Quichotte de la Manche! Vive, vive le bon Sanche! Vive le Chevalier Don Quichotte de la Manche! Vive Sanche! Vive Rossinante et l âne! Allégresse! Allégresse! Allégresse! Vive le Chevalier et son l écuyer! Vive Don Quichotte! Allégresse! Allégresse! à tue-tête Vive le Chevalier et son écuyer! Vive Don Quichotte! en acclamations Vive Don Quichotte de la Manche! Don Quichotte de la Manche Et le fidèle et bon Sancho! Vive le Chevalier Don Quichotte!! DON QUICHOTTE sur son cheval; il a gardé sa lance et dit, ravi, à Sancho C est merveille de voir comme l on me connaît! Don Quichotte descend de cheval; les deux montures sont remises à un valet. SANCHO la bouche s épatant d un énorme rire Même-moi, gros benêt, Je prends ma large part des vivats qu on adresse. Il serre joyeusement les mains tendues. Des pauvres, des estropiés, viennent, tendant leurs chapeaux rapiècés. DON QUICHOTTE à Sancho Sancho, vide ta poche, et réjouis ces gueux Car il faut qu aujourd hui nous soyons tous heureux! brandissant sa lance, les yeux au ciel Vivent les Séraphins, les Archanges, les Trônes! SANCHO piteux Notre pauvre souper qui se fond en aumônes. DON QUICHOTTE pendant que Sancho distribue l argent à tout la canaille Donne! donne! donne! Sois généreux mon fils! Et tâche comme moi d être jeune... amoureux. LA FOULE acclamant Don Quichotte Vive Don Quichotte! Don Quichotte! Don Quichotte! Don Quichotte! DON QUICHOTTE avec enthousiasme, entouré par la foule, jeune, ardente Ah! c est beau la jeunesse, et bon quoiqu on en dise! LA FOULE Ah! c est beau la jeunesse, et bon quoiqu on en dise! DON QUICHOTTE avec élan Cette gaité m emparadise! avec amour, avec une chaude tendresse Je voudrais que la joie embaumât les chemins, La bonté la coeur des humains, Qu un éternel soleil il luminât les plaines, heureux et calme Que les bois éventés par de fraîches haleines N eussent que des parfums et des fruits savoureux, Des ruisseaux chantant clair, et que tout fût heureux! Acclamations; la foule jette des brassées de fleurs à Don Quichotte. C est comme un défilé qui passe devant le Chevalier. LA FOULE Allégresse! Allégresse! Vivat! Don Quichotte! Don Quichotte! Don Quichotte! Don Quichotte! DON QUICHOTTE, SANCHO à la foule Merci! Merci! LA FOULE frénétiquement Vive le Chevalier Don Quichotte de la Manche! Vive Sanche! Vive Rossinante et l âne! Allégresse! Allégresse! Allégresse! Allégresse! La place se vide peu à peu; le défilé se désagrège. LA FOULE 8 ténors, rieurs; en passant Vive le Chevalier! 8 sopranos, rieuses; en passant Vive le Chevalier! 6 contraltos, rieuses; en passant Vive le Chevalier! 4 basses, en sortant, en riant Vivat! 4 ténors, rieurs; en sortant Vive le Chevalier! 6 ténors, au dehors Vivat! 4 barytons, au dehors Vivat! Le crépuscule commence; très peu d abord. Don Quichotte envoie un long baiser à la fenêtre de Dulcinée. DON QUICHOTTE avec une passion exubérante; montrant le balcon O Dulcinée! SANCHO l interrompant; en exagérant le cri passioné de Don Quichotte Ah!!! Vous allez ameuter alcade, régidor, riant Peut-être réveiller le Cid Campéador! Maître, je serais fier de voir la noble dame, Mais c est plus fort que moi, mon gosier me réclame... Cette rouge lueur, qui me clignote au loin, C est l auberge où j aurai grand soin De me saoûler, non d allégresse, Mais de la vraie et bonne ivresse! DON QUICHOTTE froid Laisse-moi! SANCHO goguenard Seigneur, Sous ce balcon, goûtez votre bonheur. lui retirant son bonnet Je suis votre assoiffé, mais humble serviteur. Sancho s en va, tout en chantant ce vieux refrain Ah! Comme on vous héberge Dans cette auberge! Ah! Comme on vous héberge Dans cette auberge! Dans cette auberge! en s éloignant Dans cette auberge! gros rires Ah! ah! ACTE PREMIER Le jour de la Feria CRIS DE FOULE derrière le rideau Alza! alza! alza! Le rideau se lève. Une place publique en Espagne. A droite une hôtellerie. A gauche la demeure de la belle Dulcinée. Foule, grand mouvement, danses, beuveries. Alza! Alza! Olé etc. en désignant la maison de Dulcinée; gaîment Vivat Dulcineée, fantasque et fêtée! Vivat! Vivat! Vivat! Alza! Alza! etc. Arrivent alors les 4 amoureux sous le balcon de Dulcinée PEDRO, GARCIAS, RODRIGUEZ, JUAN Belle, dont le charme est l empire, Faites l aumône d un sourire, Et d un regard de vos grands yeux À nos pauvres coeurs amoureux, Dulcinée, enchanteresse, Pour un instant Délaisse le nouvel amant Que t a choisi ta fantaisie; Et parais Devant tes sujets, Ô Dulcinée! Ô souveraine! Dulcinée! Reine! Gentille Reine! TOUS Parais! LA FOULE Anda! Alza! Anda! Les Danses reprennent Dulcinée apparaît sur le balcon. Les Danses s arrêtent. Les 4 amoureux avec joie apercevant Dulcinée. PEDRO, GARCIAS, RODRIGUEZ, JUAN Dulcinée! LA FOULE se courbant avec admiration Dulcinée! DULCINÉE gaie, debout sur le balcon Alza! Alza! à la foule, amusée Quand la femme a vingt ans, la majesté surpême Ne doit pas avoir grands attraits! L on possède un beau diadème, Mais après, mes amis après? après? On vit dans une apothéose, Vos jours, sont de gloire entourés, Mais il doit manquer quelque chose Ou quelqu un, ou quelqu un... gaîment Ah! Comme vous voudrez. TOUS Tous, à Dulcinée, en l applaudissant avec enthousiasme Belle dont le charme est l empire; Dulcinée! Reine! Sois notre Reine! DULCINÉE chaleureusement Alza! Quand la femme a vingt ans, D hommages l on vous environne Durant le jour; oui, mais la nuit... Parce qu on porte une couronne... Le temps d amour s enfuit. Hélas! Hélas! Et pour calmer le coeur morose Et les ennuis exaspérés, Il doit bien manquer quelque chose Ou quelqu un, ou quelqu un... Ah! Comme vous voudrez. TOUS Dulcinée! Reine! Sois notre Reine! Alza! DULCINÉE Alza! Alza! à tous, avec effusion Amis, à tous, ici,merci! Amis, merci, merci! Elle disparaît pendant les acclamations joyeuses de la foule qui se répand sur la place. La foule s est répandue sur la place et dans les rues avoisinantes. Rodriguez et Juan causent à l écart. RODRIGUEZ légèrement Dulcinée est certes jolie, Mais on doit l aimer seulement Comme on cueille une fleur, un matin de printemps, Autrement c est folie! JUAN avec un soupir attristé Je l adore pourtant, Cette perverse enchanteresse. RODRIGUEZ avec pitié Si tu l aimes d amour fervent... Que de tristesse tu te réserves, Mon pauvre ami! Très au loin on entend des rires et des acclamations; c est la venue de Don Quichotte et de Sancho qui en est la cause. RODRIGUEZ rieur, ayant regardé au loin pour se rendre compte d où venaient ces rumeurs joyeuses. Pour te désennuyer, Regarde Don Quichotte et son gros écuyer. JUAN avec un rire méprisant Ce fantoche grotesque, Ce vieux fou pédantesque, Qui déclare que Dulcinée Est la "Dame De ses pensées!" Tandis que celle-ci se rit de lui! RODRIGUEZ avec fermeté Tant pis! Car il est brave Et franc comme une lame... JUAN moqueur Et beau! RODRIGUEZ sincère De la beauté merveilleuse de l âme. JUAN méprisant Certes, il est extravagant, Toqué, cocasse, inélégant. RODRIGUEZ Mais il secourt la veuve et les enfants sans mère. JUAN Apôtre halluciné? RODRIGUEZ Porté par la Chimère, Il parcourt plaines et vallons, Escalade les pics, Poursuit les chemins longs. JUAN rieur Ah! c est un être exquis! RODRIGUEZ De très haute envergure Que le bon Chevalier... JUAN terminant ironiquement la phrase ...de la Longue Figure! LA FOULE par groupes, au fond de la place; regardant au dehors Allégresse! autre groupe Allégresse! Les acclamations se rapprochent. Groupes venant du dehors et annonçant la venue de Don Quichotte. Allégresse! groupes venant du dehors; de même Allégresse! Don Quichotte est monté sur Rossinante; il a la lance au poing. Sancho est sur son Grison. Entrée comique. Les enfants les précèdent en faisant la roue. La Foule s amuse en les acclamant, des bonnets sautent en l air. Don Quichotte est revêtu de sa vieille armure, casqué de son armet. Toute la foule entourant Don Quichotte impassible et Sancho radieux. LA FOULE en acclamations joyeuse Vive Don Quichotte de la Manche! Vive le fidèle et bon Sanche! Vivat pour Rossinante... et l âne et l écuyer! Allégresse! Allégresse! Vive Don Quichotte de la Manche! Vive, vive le bon Sanche! Allégresse! Allégresse! Vive Don Quichotte de la Manche! Vive, vive le bon Sanche! Vive le Chevalier Don Quichotte de la Manche! Vive Sanche! Vive Rossinante et l âne! Allégresse! Allégresse! Allégresse! Vive le Chevalier et son l écuyer! Vive Don Quichotte! Allégresse! Allégresse! à tue-tête Vive le Chevalier et son écuyer! Vive Don Quichotte! en acclamations Vive Don Quichotte de la Manche! Don Quichotte de la Manche Et le fidèle et bon Sancho! Vive le Chevalier Don Quichotte!! DON QUICHOTTE sur son cheval; il a gardé sa lance et dit, ravi, à Sancho C est merveille de voir comme l on me connaît! Don Quichotte descend de cheval; les deux montures sont remises à un valet. SANCHO la bouche s épatant d un énorme rire Même-moi, gros benêt, Je prends ma large part des vivats qu on adresse. Il serre joyeusement les mains tendues. Des pauvres, des estropiés, viennent, tendant leurs chapeaux rapiècés. DON QUICHOTTE à Sancho Sancho, vide ta poche, et réjouis ces gueux Car il faut qu aujourd hui nous soyons tous heureux! brandissant sa lance, les yeux au ciel Vivent les Séraphins, les Archanges, les Trônes! SANCHO piteux Notre pauvre souper qui se fond en aumônes. DON QUICHOTTE pendant que Sancho distribue l argent à tout la canaille Donne! donne! donne! Sois généreux mon fils! Et tâche comme moi d être jeune... amoureux. LA FOULE acclamant Don Quichotte Vive Don Quichotte! Don Quichotte! Don Quichotte! Don Quichotte! DON QUICHOTTE avec enthousiasme, entouré par la foule, jeune, ardente Ah! c est beau la jeunesse, et bon quoiqu on en dise! LA FOULE Ah! c est beau la jeunesse, et bon quoiqu on en dise! DON QUICHOTTE avec élan Cette gaité m emparadise! avec amour, avec une chaude tendresse Je voudrais que la joie embaumât les chemins, La bonté la coeur des humains, Qu un éternel soleil il luminât les plaines, heureux et calme Que les bois éventés par de fraîches haleines N eussent que des parfums et des fruits savoureux, Des ruisseaux chantant clair, et que tout fût heureux! Acclamations; la foule jette des brassées de fleurs à Don Quichotte. C est comme un défilé qui passe devant le Chevalier. LA FOULE Allégresse! Allégresse! Vivat! Don Quichotte! Don Quichotte! Don Quichotte! Don Quichotte! DON QUICHOTTE, SANCHO à la foule Merci! Merci! LA FOULE frénétiquement Vive le Chevalier Don Quichotte de la Manche! Vive Sanche! Vive Rossinante et l âne! Allégresse! Allégresse! Allégresse! Allégresse! La place se vide peu à peu; le défilé se désagrège. LA FOULE 8 ténors, rieurs; en passant Vive le Chevalier! 8 sopranos, rieuses; en passant Vive le Chevalier! 6 contraltos, rieuses; en passant Vive le Chevalier! 4 basses, en sortant, en riant Vivat! 4 ténors, rieurs; en sortant Vive le Chevalier! 6 ténors, au dehors Vivat! 4 barytons, au dehors Vivat! Le crépuscule commence; très peu d abord. Don Quichotte envoie un long baiser à la fenêtre de Dulcinée. DON QUICHOTTE avec une passion exubérante; montrant le balcon O Dulcinée! SANCHO l interrompant; en exagérant le cri passioné de Don Quichotte Ah!!! Vous allez ameuter alcade, régidor, riant Peut-être réveiller le Cid Campéador! Maître, je serais fier de voir la noble dame, Mais c est plus fort que moi, mon gosier me réclame... Cette rouge lueur, qui me clignote au loin, C est l auberge où j aurai grand soin De me saoûler, non d allégresse, Mais de la vraie et bonne ivresse! DON QUICHOTTE froid Laisse-moi! SANCHO goguenard Seigneur, Sous ce balcon, goûtez votre bonheur. lui retirant son bonnet Je suis votre assoiffé, mais humble serviteur. Sancho s en va, tout en chantant ce vieux refrain Ah! Comme on vous héberge Dans cette auberge! Ah! Comme on vous héberge Dans cette auberge! Dans cette auberge! en s éloignant Dans cette auberge! gros rires Ah! ah! Massenet,Jules/Don Quichotte/ActⅠ-2
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Market Analysis The Email Marketing Industry is predicted to grow at a healthy 15.2% CAGR between 2020- 2027, states the recent Market Research Future (MRFR) analysis. Email marketing is more than merely sending mails. It has various features like reporting and analytics, campaign automation, scheduling, email builders, and design tools that allows enterprises in streamlining their marketing efforts. The key benefits of email market solution is in building customer loyalty, increasing the number of leads, and increasing sales. Various factors are fuelling the global email marketing market share. As per the recent MRFR market estimates, such factors include increasing digitalization worldwide, growing number of internet users, increasing trend of digital marketing, surge in the acceptance of smartphones and tablets, growing internet penetration even in remote or distant locations, increasing use during COVID-19 pandemic, launch of 5G network facility, rise in hosted service and email marketing providers, growing acceptance of digital literacy and awareness, and cheapening of tariff rates. On the contrary, budget constraints, lack of awareness among SMEs in developing economies, lack of infrastructure in emerging economies, growing security issues, and stringent regulations related to user data privacy may limit the global email marketing market growth over the forecast period. Get a Free Sample @ https //www.marketresearchfuture.com/sample_request/7426 Market Segmentation The MRFR report throws light on an inclusive segmental analysis of the global email marketing market based on industry vertical, deployment mode, organization size, and component. By component, the global email marketing market is segmented into services and solutions. By deployment mode, the global email marketing market is segmented into on-premises and cloud. By organization size, the global email marketing market is segmented into small enterprises, medium-sized enterprises, and large enterprises. Of these, the small and medium sized enterprises will lead the market over the forecast period. By industry vertical, the global email marketing market is segmented into IT and telecom, BFSI, media and entertainment, transportation and logistics, education, food and beverages, travel and hospitality, retail and consumer goods, and others. Regional Analysis By region, the global email marketing market covers the recent trends and growth opportunity across North America, Europe, the Asia Pacific (APAC), and Rest of the World (RoW). Of these, North America will dominate the market over the forecast period. The presence of large number of enterprises, high degree of digitalization, the increase in the application of convenient marketing, and the growing inclination of start-ups towards email marketing are adding to the global email marketing market growth in the region. In Europe, the global email marketing market is predicted to hold the second-largest share over the forecast period for the rise in the number of startups and the penetration of email marketing in different enterprises in the UK. In the APAC region, the global email marketing market is predicted to grow at a fast pace over the forecast period. Rapidly increasing number of enterprises, growing adoption of digital marketing solutions, presence of largest population of email users, the presence of several reputed companies, rapid globalization, the emergence of new companies, fast growing enterprises, and the increasing adoption of various digital marketing solutions by emerging companies are adding to the global email marketing market growth in the region. In RoW, the global email marketing market is predicted to have sound growth over the forecast period. Key Players The leading players profiled in the email marketing market report include Ontraport (US), Mailjet inc. (France), Constant Contact, Inc. (US), AWeber Communications (US), Pinpointe On-Demand, Inc. (US), Kevy (US), Adobe (US), SendinBlue (France), Salesforce.com, inc. (US), ActiveCampaign, LLC (US), Klaviyo (US), HubSpot, Inc. (US), Campaign Monitor (US), Zoho Campaigns (India), and GetResponse (Poland), among others. The global email marketing market is fragmented and also competitive with the presence of many domestic as well as international industry players. They have incorporated assorted strategies to stay at the forefront and also cater to the surging needs of the customers, including collaborations, partnerships, contracts, geographic expansions, new product launches, joint ventures, and more. Additionally, these players are also making heavy investments in research and development activities for strengthening their portfolios and also creating a hold in the market. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/email-marketing-market-7426 Industry Updates April 2021- Amazon is offering email marketing tool to its sellers. Table of Contents 1 Executive Summary 2 Scope of The Report 2.1 Market Definition 2.2 Scope of The Study 2.2.1 Research Objectives 2.2.2 Assumptions Limitations 2.3 Markets Structure 3 Market Research Methodology 3.1 Research Process 3.2 Secondary Research 3.3 Primary Research 3.4 Forecast Model Continued… Similar Report B2B Telecommunication Market Information by Solution (Unified Communication and Collaboration), Deployment (Fixed, Mobile), Organization Size (Large, Enterprise), Application (Industrial, Commercial) and regions Trending #MRFR Report** https //ictmrfr.blogspot.com/2022/04/geofencing-market-companies-growth-with.html https //blogfreely.net/pranali004/telecom-expense-management-market-size-impressive-cagr-changing-business-scope https //postheaven.net/pranali004/financial-app-industry-impressive-cagr-changing-business-needs-scope-of https //market-research-future.tribe.so/post/openstack-service-market-research-impressive-cagr-changing-scope-of-current--6263de46791566c10c79891e https //www.scutify.com/articles/2022-04-24-infrastructure-as-a-service-industry-cagr-changing-business-scope-of-current-and-future-industry- About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com
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効果 Unlocked at level 20 Gain bonuses based on weapon held Bow +10% increased damageBonus with crossbows +100% critical damageBonus with hand xbows +5% chance to critical hit武器にボーナス:弓:ダメージ+10%クロスボウ:クリティカルダメージ+100%ハンドクロスボウ:クリティカル率+5% 評価 使い方 その他 コメント 名前 コメント Demon Hunter Skills Active Skills Offensive Hungering Arrow、Entangling Shot、Evasive Fire、Fan of Knives、Bola Shot、Grenades、Chakram、Impale、Spike Trap、Elemental Arrow、Multishot、Cluster Arrow、Rapid Fire、Strafe、Rain of Vengeance Descipline Caltrops、Vault、Marked for Death、Smoke Screen、Companion、Shadow Power、Sentry Utility Preparation Passive Skills Brooding、Thrill of the Hunt、Vengeance、Steady Aim、Cull the Weak、Fundamentals、Hot Pursuit、Archery、Perfectionist、Custom Engineering、Grenadier、Sharpshooter、Ballistics
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Forest Conservation Genetics Principles and Practice C a B Intl? Andrew G. Young? David Boshier? Timothy James Butler Boyle? CaBIntl? AndrewG.Young? DavidBoshier? TimothyJamesButlerBoyle? ジャンル別? Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-General? Subjects-Nonfiction-Economics-NaturalResources Subjects-Outdoors&Nature-Conservation-General? Subjects-Outdoors&Nature-Conservation-Forests? Subjects-Outdoors&Nature-NaturalResources-Forests&Forestry? Subjects-Outdoors&Nature-Environment-Conservation? Subjects-Outdoors&Nature-Environment-Ecology? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Forestry? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Botany? Subjects-Science-Evolution-Genetics? Subjects-Science-Nature&Ecology-NaturalResources-Forests&Forestry? Subjects-Science-Nature&Ecology-Environment-Conservation? 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Strategien der Wachstumsbegrenzung und Wachstumsumlenkung Deutsche Verlags-Anstalt? Christoph Binswanger? Rene L. Frey? Walter Adolf. Joehr? Joerg. Wolff? DeutscheVerlags-Anstalt? ChristophBinswanger? ReneL.Frey? WalterAdolf.Joehr? Joerg.Wolff? ジャンル別? Subjects-Business&Investing-Economics-NaturalResources Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Nonfiction-Economics-NaturalResources Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Wirtschaftswachstum, Umweltschutz, Lebensqualitaet Deutsche Verlags-Anstalt? Juergen Kumm? DeutscheVerlags-Anstalt? JuergenKumm? ジャンル別? Subjects-Business&Investing-Economics-NaturalResources Subjects-Nonfiction-SocialSciences-Anthropology-Sociobiology? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Nonfiction-Economics-NaturalResources Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Worldwatch Database Disk 1999/2000 Earthscan Publications Ltd? 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Subjects-Business&Investing-Economics-NaturalResources Subjects-Nonfiction-Economics-NaturalResources Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Green Buildings Pay Spon Pr? Royal Institute of British Architects? Brian Edwards? SponPr? RoyalInstituteofBritishArchitects? BrianEdwards? ジャンル別? Subjects-Arts&Photography-Architecture-BuildingTypes&Styles-SpecificStyles? Subjects-Arts&Photography-Architecture-Drawing&Modelling-General? Subjects-Arts&Photography-Architecture-General? Subjects-Arts&Photography-Architecture-Reference? Subjects-Business&Investing-Economics-NaturalResources Subjects-History-Europe-England-General? Subjects-Home&Garden-HomeDesign-EnergyEfficientDesign? Subjects-Nonfiction-Economics-NaturalResources Subjects-Outdoors&Nature-Environment-Conservation? Subjects-Professional&Technical-Architecture-BuildingTypes&Styles-SpecificStyles? Subjects-Professional&Technical-Architecture-Drawing&Modelling-General? Subjects-Professional&Technical-Architecture-General? Subjects-Professional&Technical-Architecture-Reference? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Science-Nature&Ecology-Environment-Conservation? Global Possible World Resources Inst? WorldResourcesInst? ジャンル別? Substores-UnknownASINs-57? Subjects-Business&Investing-Economics-NaturalResources Subjects-Nonfiction-Economics-NaturalResources Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Einbeziehung von Umweltindikatoren in die Regionalpolitik Duncker & Humblot GmbH? Helmut Karl? Paul Klemmer? Duncker&HumblotGmbH? HelmutKarl? PaulKlemmer? ジャンル別? Subjects-Business&Investing-Economics-NaturalResources Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Nonfiction-Economics-NaturalResources Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Umweltpolitik durch gemischten Instrumenteneinsatz Duncker & Humblot GmbH? Erik Gawel? Duncker&HumblotGmbH? ErikGawel? ジャンル別? Subjects-Business&Investing-Economics-NaturalResources Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Nonfiction-Economics-NaturalResources Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Der Beitrag der Oekonomik zur Begruendung von Normen des Tier- und Artenschutzes Duncker & Humblot GmbH? Hans-Peter Weikard? Duncker&HumblotGmbH? Hans-PeterWeikard? ジャンル別? Subjects-Business&Investing-Economics-Theory? Subjects-Business&Investing-Economics-NaturalResources Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Nonfiction-Economics-Theory? Subjects-Nonfiction-Economics-NaturalResources Subjects-Outdoors&Nature-Conservation-General? Subjects-Professional&Technical-Accounting&Finance-Economics-Theory? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Entwicklung und Umwelt Duncker & Humblot GmbH? Hermann Sautter? Duncker&HumblotGmbH? HermannSautter? ジャンル別? Subjects-Business&Investing-Economics-NaturalResources Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Nonfiction-Economics-NaturalResources Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Die Kompetenzverteilung zwischen der Europaeischen Wirtschaftsgemeinschaft und ihren Mitgliedstaaten auf dem Gebiet des Umweltschutzes Duncker & Humblot GmbH? Thomas Schroeer? Duncker&HumblotGmbH? ThomasSchroeer? ジャンル別? Subjects-Business&Investing-Economics-NaturalResources Subjects-Law-InternationalLaw-General? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Nonfiction-Economics-NaturalResources Subjects-Nonfiction-Law-InternationalLaw-General? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Nationale Umweltpolitik in der EG Duncker & Humblot GmbH? Christoph E. Palme? Duncker&HumblotGmbH? ChristophE.Palme? ジャンル別? Subjects-Business&Investing-Economics-NaturalResources Subjects-Law-InternationalLaw-General? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Nonfiction-Economics-NaturalResources Subjects-Nonfiction-Law-InternationalLaw-General? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources The Economics of Environmental and Natural Resources Policy Longman Higher Education? J.A. Butlin? LongmanHigherEducation? J.A.Butlin? ジャンル別? Subjects-Business&Investing-Economics-NaturalResources Subjects-Nonfiction-Economics-NaturalResources Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Oekologische Sanierung und wirtschaftlicher Strukturwandel in den neuen Bundeslaendern Duncker & Humblot GmbH? Heike Belitz? Juergen Blazejczak? Martin Gornig? Rainer Luedigk? Duncker&HumblotGmbH? HeikeBelitz? JuergenBlazejczak? MartinGornig? RainerLuedigk? ジャンル別? Subjects-Business&Investing-Economics-NaturalResources Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Nonfiction-Economics-NaturalResources Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Cost-Effectiveness of Air-Quality Control Measures and Impact of the Environmental Review Process (Transportation Research Record) Transportation Research Board? TransportationResearchBoard? ジャンル別? Subjects-Business&Investing-Economics-NaturalResources Subjects-Engineering-Civil-Transportation&Highway? Subjects-Engineering-Civil-Environmental-Pollution-Air? Subjects-Nonfiction-Transportation-Economics? Subjects-Nonfiction-Economics-NaturalResources Subjects-Professional&Technical-Engineering-Civil-Transportation&Highway? Subjects-Professional&Technical-Engineering-Civil-Environmental-Pollution-Air? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources The Value of Conserving Genetic Resources Sinauer Associates Inc.,U.S.? Margery L. Oldfield? SinauerAssociatesInc.,U.S.? MargeryL.Oldfield? ジャンル別? Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-Industries&Professions-RealEstate-General? Subjects-Nonfiction-Economics-NaturalResources Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Accounting&Finance-Industries&Professions-RealEstate-General? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-Evolution-Genetics? Umweltpolitik mit hoheitlichen Zwangsabgaben? Duncker & Humblot GmbH? Karl-Heinrich. Hansmeyer? Klaus Mackscheidt? Dieter Ewringmann? Erik Gawel? Duncker&HumblotGmbH? Karl-Heinrich.Hansmeyer? KlausMackscheidt? DieterEwringmann? ErikGawel? ジャンル別? Subjects-Business&Investing-Economics-NaturalResources Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Nonfiction-Economics-NaturalResources Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Green and Bear It Implementing Market-Based Policies for Ireland's Environment Intl Academic Pub? Daniel McCoy? Sue Scott? Christian Averous? IntlAcademicPub? DanielMcCoy? SueScott? ChristianAverous? ジャンル別? Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-Industries&Professions-RealEstate-General? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-Economics-NaturalResources Subjects-Outdoors&Nature-NaturalResources-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Accounting&Finance-Industries&Professions-RealEstate-General? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-Nature&Ecology-NaturalResources-General? Proceedings of the Symposium on Small Hydropower and Fisheries, May 1-3, 1985, Aurora, Colorado May 1-3, 1985, Aurora, Colorado Amer Fisheries Society? Colo.) Symposium on Small Hydropower and Fisheries (1985 Aurora? Robert G. White? Forrest W. Olson? R. H. Hamre? American Fisheries Society Western Division? American Fisheries Society Bio-Engineering Section? AmerFisheriesSociety? Colo.)SymposiumonSmallHydropowerandFisheries(1985Aurora? RobertG.White? ForrestW.Olson? R.H.Hamre? AmericanFisheriesSocietyWesternDivision? AmericanFisheriesSocietyBio-EngineeringSection? ジャンル別? Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-RealEstate-General? Subjects-Nonfiction-Economics-NaturalResources Subjects-Professional&Technical-Accounting&Finance-Industries&Professions-RealEstate-General? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Science-BiologicalSciences-Zoology-Ichthyology? Cost Model for Selected Technologies for Removal of Gasoline Components from Groundwater/4422 Amer Petroleum Inst? AmerPetroleumInst? ジャンル別? Subjects-Business&Investing-Economics-NaturalResources Subjects-Engineering-Civil-Environmental-Groundwater? Subjects-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Nonfiction-Economics-NaturalResources Subjects-Professional&Technical-Engineering-Civil-Environmental-Groundwater? Subjects-Professional&Technical-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Earthuse Geographic Information Systems and Environmental Planning Van Nostrand Reinhold? Dennis Fehler? VanNostrandReinhold? DennisFehler? ジャンル別? Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-General? Subjects-Nonfiction-Economics-NaturalResources Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Science-EarthSciences-Geography-InformationSystems? Environmental Reporting, Recordkeeping, and Inspections A Compliance Guide for Business and Industry Van Nostrand Reinhold? Mark S. Dennison? VanNostrandReinhold? MarkS.Dennison? ジャンル別? Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-General? Subjects-Engineering-Civil-Environmental-General Subjects-Law-Business-Labor&Employment? Subjects-Law-One-L-CivilProcedure? Subjects-Nonfiction-Economics-NaturalResources Subjects-Nonfiction-Law-Business-Labor&Employment? Subjects-Nonfiction-Law-One-L-CivilProcedure? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Law-One-L-CivilProcedure? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Market-Based Approaches to Environmental Policy Regulatory Innovations to the Fore Van Nostrand Reinhold? Richard F. Kosobud? Jennifer M. Zimmerman? VanNostrandReinhold? RichardF.Kosobud? JenniferM.Zimmerman? ジャンル別? Substores-UnknownASINs-11? Subjects-Business&Investing-Biographies&Primers-PopularEconomics? Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-General? Subjects-Engineering-Civil-Environmental-General Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Nonfiction-Economics-General? Subjects-Nonfiction-Economics-NaturalResources Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Accounting&Finance-Economics-General? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Pollution Prevention Opportunity Assessments A Practical Guide Van Nostrand Reinhold? Marcus J. Healey? Daniel Watts? Laura L. Battista? VanNostrandReinhold? MarcusJ.Healey? DanielWatts? LauraL.Battista? ジャンル別? Substores-UnknownASINs-11? Subjects-Business&Investing-Economics-SustainableDevelopment? Subjects-Business&Investing-Economics-Labor&IndustrialRelations? Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-Industries&Professions-IndustrialRelations? Subjects-Business&Investing-SmallBusiness&Entrepreneurship-NewBusinessEnterprises? Subjects-Engineering-Civil-Environmental-Pollution-Air? Subjects-Nonfiction-Politics-Labor&IndustrialRelations? Subjects-Nonfiction-SocialSciences-Sociology? Subjects-Nonfiction-Economics-SustainableDevelopment? Subjects-Nonfiction-Economics-Labor&IndustrialRelations? Subjects-Nonfiction-Economics-NaturalResources Subjects-Professional&Technical-Engineering-Civil-Environmental-Pollution-Air? Subjects-Professional&Technical-Accounting&Finance-Economics-SustainableDevelopment? Subjects-Professional&Technical-Accounting&Finance-Economics-Labor&IndustrialRelations? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Science-General Minerals Yearbook Area Reports International 2002 Asia and the Pacific (Minerals Yearbook Volume 3 Area Reports International Review Asia and the Pacific) United States Government Printing? Us Geological Survey Dept of the Interior? UnitedStatesGovernmentPrinting? UsGeologicalSurveyDeptoftheInterior? ジャンル別? Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-General? Subjects-Business&Investing-Reference-General? Subjects-Engineering-Civil-Mining? Subjects-Engineering-Civil-Environmental-Mining? Subjects-Nonfiction-Economics-NaturalResources Subjects-Outdoors&Nature-NaturalResources-General? Subjects-Professional&Technical-Engineering-Civil-Mining? Subjects-Professional&Technical-Engineering-Civil-Environmental-Mining? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Science-EarthSciences-Mineralogy-General? Subjects-Science-EarthSciences-Prospecting&Mining? Subjects-Science-Nature&Ecology-NaturalResources-General? Urban Economic Development (Urban Affairs Annual Reviews) Sage Pubns? Richard D. Bingham? John P. Blair? SagePubns? RichardD.Bingham? JohnP.Blair? ジャンル別? Subjects-Business&Investing-Economics-NaturalResources Subjects-Nonfiction-SocialSciences-Anthropology-Cultural? Subjects-Nonfiction-SocialSciences-Sociology-Urban? Subjects-Nonfiction-SocialSciences-Sociology-Communities? Subjects-Nonfiction-Economics-NaturalResources Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Ecotourism Principles, Practices and Policies for Sustainability United Nations Environment Program? Megan Epler Wood? UnitedNationsEnvironmentProgram? MeganEplerWood? ジャンル別? Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-Hospitality,Travel&Tourism? Subjects-Nonfiction-Economics-NaturalResources Subjects-Outdoors&Nature-Conservation-General? Subjects-Outdoors&Nature-Ecology-General? Subjects-Outdoors&Nature-Environment-Conservation? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Science-EarthSciences-Ecology-General? Subjects-Science-Nature&Ecology-General? Subjects-Science-Nature&Ecology-Environment-Conservation? Umweltoekonomik (Kt). Beitraege zur Theorie und Politik Hain Verlag, Bodenheim? Hans Moeller? Wolfgang Schneider? Rigmar Osterkamp? HainVerlag,Bodenheim? HansMoeller? WolfgangSchneider? RigmarOsterkamp? ジャンル別? Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Nonfiction-Economics-NaturalResources Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Coastal State Requirements for Foreign Fishing (Legislative Study (Rome)) Food & Agriculture Org? Gerald K. Moore? Food and Agriculture Organization of the United Nations? Development Law Service Fao Legal Office? Food&AgricultureOrg? GeraldK.Moore? FoodandAgricultureOrganizationoftheUnitedNations? DevelopmentLawServiceFaoLegalOffice? ジャンル別? Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-Industries&Professions-Accounting-Taxes-TaxLaw? Subjects-Law-Business-Taxation? Subjects-Law-EnglishLaw-General? Subjects-Law-General? Subjects-Nonfiction-Economics-NaturalResources Subjects-Nonfiction-Law-Business-Taxation? Subjects-Nonfiction-Law-EnglishLaw-General? Subjects-Nonfiction-Law-General? Subjects-Outdoors&Nature-NaturalResources-Fisheries&Aquaculture? Subjects-Professional&Technical-Accounting&Finance-Industries&Professions-Accounting-Taxes-TaxLaw? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Reference-General? Subjects-Science-Nature&Ecology-NaturalResources-Fisheries&Aquaculture? Oekologische Folgenbewertung Heymanns Verlag GmbH? Hans Ludwig Dreissigacker? Walter Bueckmann? HeymannsVerlagGmbH? HansLudwigDreissigacker? WalterBueckmann? ジャンル別? Subjects-Business&Investing-Economics-NaturalResources Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Nonfiction-Economics-NaturalResources Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Economic Approach to Environmental Problems Elsevier? David E. James? Elsevier? DavidE.James? ジャンル別? Subjects-Business&Investing-Economics-NaturalResources Subjects-Engineering-Civil-Environmental-General Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Nonfiction-Economics-NaturalResources Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Trade and Environment A Theoretical Enquiry (Studies in Environmental Science) Elsevier Science Ltd? Horst Siebert? ElsevierScienceLtd? HorstSiebert? ジャンル別? Subjects-Business&Investing-Economics-Exports&Imports? Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-RealEstate-General? Subjects-Nonfiction-SocialSciences-PoliticalScience-LevelsofGovernment-FederalGovernment? Subjects-Nonfiction-Economics-Exports&Imports? Subjects-Nonfiction-Economics-NaturalResources Subjects-Outdoors&Nature-Environment? Subjects-Professional&Technical-Accounting&Finance-Industries&Professions-RealEstate-General? Subjects-Professional&Technical-Accounting&Finance-Economics-Exports&Imports? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Science-Nature&Ecology-Environment? Environmental Careers, Environmental Employment and Environmental Training International Approaches and Contexts (Umweltbildung, Umweltkommunikation Und Nachhaltigkeit,) Peter Lang Pub Inc? Peter Lang? Walter Leal Filho? PeterLangPubInc? PeterLang? WalterLealFilho? ジャンル別? Subjects-Business&Investing-Careers-General? Subjects-Business&Investing-Careers-Guides? Subjects-Business&Investing-Economics-NaturalResources Subjects-Nonfiction-Economics-NaturalResources Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Reference-Careers-General? Subjects-Reference-Careers-Guides? Subjects-Science-EarthSciences-EnvironmentalScience Greenhouse Economics Values and Ethics Routledge? Clive L. Spash? Routledge? CliveL.Spash? ジャンル別? Subjects-Business&Investing-BusinessLife-Ethics? Subjects-Business&Investing-Economics-Theory? Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-General? Subjects-Nonfiction-Economics-Theory? Subjects-Nonfiction-Economics-NaturalResources Subjects-Outdoors&Nature-Conservation-Environmentalism? Subjects-Professional&Technical-Accounting&Finance-Economics-Theory? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Professional&Technical-BusinessManagement-Management&Leadership-BusinessEthics? Subjects-Science-EarthSciences-Climatology-ClimateChanges? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources 洋書
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Space in the 1980s and Beyond (Science and Technology Series) Amer Astronautical Society? England) European Space Symposium 1980 (London? Peter M. Bainum? American Astronautical Society? AmerAstronauticalSociety? England)EuropeanSpaceSymposium1980(London? PeterM.Bainum? AmericanAstronauticalSociety? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Spacelab, Space Platforms and the Future (Advances in the Astronautical Sciences) Amer Astronautical Society? Aas? Dglr Symposium 1982 (Goddard Space Flight Center)? Peter M. Bainum? Dietrich E. Kolle? Goddard Memorial Symposium 1982 (Goddard Space Flight Center)? American Astronautical Society? AmerAstronauticalSociety? Aas? DglrSymposium1982(GoddardSpaceFlightCenter)? PeterM.Bainum? DietrichE.Kolle? GoddardMemorialSymposium1982(GoddardSpaceFlightCenter)? AmericanAstronauticalSociety? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Developing the Space Frontier Advances in the Astronautical Sciences (Advances in the Astronautical Sciences) Univelt? Tex.) Aas Conference 1982 (Houston? Albert Naumann? Grover L. Alexander? American Institute of Aeronautics and Astronautics? American Astronautical Society? Univelt? Tex.)AasConference1982(Houston? AlbertNaumann? GroverL.Alexander? AmericanInstituteofAeronauticsandAstronautics? AmericanAstronauticalSociety? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Space Applications at the Crossroads Proceedings of Aas Conference Held March 24-25, 1983, at the Nasa Goddard Space Flight Center, Greenbelt, Maryland (Science and Technology Series) Univelt? Goddard Memorial Symposium? John H. McElroy? E. Larry Heacock? American Astronautical Society? Univelt? GoddardMemorialSymposium? JohnH.McElroy? E.LarryHeacock? AmericanAstronauticalSociety? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General The Case for Mars (Science and Technology Series) Amer Astronautical Society? Penelope J. Boston? AmerAstronauticalSociety? PenelopeJ.Boston? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-Astronomy-Mars? Permanent Presence --Making It Work (Science and Technology Series) Univelt? Ivan Bekey? Univelt? IvanBekey? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Europe/United States Space Activities With a Space Propulsion Supplement (Science and Technology Series) Univelt? Goddard Memorial Symposium 1985 (Nasa Goddard Space Flight Center)? Peter M. Bainum? Friedrich Von Bun? Calif.) Aas Conference 1984 (Palo Alto? European Space Symposium 1985 (Nasa Goddard Space Flight Center)? Univelt? GoddardMemorialSymposium1985(NasaGoddardSpaceFlightCenter)? PeterM.Bainum? FriedrichVonBun? Calif.)AasConference1984(PaloAlto? EuropeanSpaceSymposium1985(NasaGoddardSpaceFlightCenter)? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Case for Mars II (Science and Technology Series) Univelt? Christopher P. McKay? Univelt? ChristopherP.McKay? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Subjects-Science-Astronomy-Mars? Space Station Beyond Ioc Proceedings of the 32nd Annual Aas International Conference Held November 6-7, 1985, at Los Angeles, California (Advances in the Astronautical Sciences) Amer Astronautical Society? Calif.) Aas Conference 1985 (Los Angeles? M. Jack Friedenthal? American Astronautical Society? AmerAstronauticalSociety? Calif.)AasConference1985(LosAngeles? M.JackFriedenthal? AmericanAstronauticalSociety? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Space Exploitation and Utilization Proceedings of the First Aas/Jrs Symposium (Advances in the Astronautical Sciences) Amer Astronautical Society? Aas? Hawaii) Jrs Symposium 1985 (Honolulu? Gayle L. May? American Astronautical Society? Nihon Roketto Kyokai? AmerAstronauticalSociety? Aas? Hawaii)JrsSymposium1985(Honolulu? GayleL.May? AmericanAstronauticalSociety? NihonRokettoKyokai? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Tethers in Space Proceedings (Advances in the Astronautical Sciences) Amer Astronautical Society? Ivan Bekey? Luciano Guerriero? Peter M. Bainum? Nasa? Aiaa? Psn International Conference on Tethers in Space 1986 arlin? Paul Penzo? Giuseppe Colombo? AmerAstronauticalSociety? IvanBekey? LucianoGuerriero? PeterM.Bainum? Nasa? Aiaa? PsnInternationalConferenceonTethersinSpace1986arlin? PaulPenzo? GiuseppeColombo? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Low Gravity Sciences Univelt? Jean N. Koster? Univelt? JeanN.Koster? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Astrodynamics, 1987 Proceedings of the Aas/Aiaa Astrodynamics Conference Held August 10-13, 1987, Kalispell, Montana (Advances in the Astronautical Sciences) Amer Astronautical Society? Aas? Mont.) Aiaa Astrodynamics Conference (1987 Kalispell? Arun K. Misra? Robert E. Lindberg? Walton Williamson? John K. Soldner? AmerAstronauticalSociety? Aas? Mont.)AiaaAstrodynamicsConference(1987Kalispell? ArunK.Misra? RobertE.Lindberg? WaltonWilliamson? JohnK.Soldner? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Technology and the Civil Future in Space 26th Goddard Memorial Symposium (Science and Technology Series) Amer Astronautical Society? Leonard A. Harris? AmerAstronauticalSociety? LeonardA.Harris? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Case for Mars III Strategies for Exploration General Interest and Overview (Science and Technology Series) Amer Astronautical Society? Carol R. Stoker? AmerAstronauticalSociety? CarolR.Stoker? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Astronomy-Mars? Orbital Mechanics and Mission Design Proceedings of an Aas/Nasa International Symposium, Held April 24-27, 1989, at Nasa Goddard Space Flight Center, Greenbelt, Maryland (Advances in the Astronautical Sciences) Amer Astronautical Society? Jerome Teles? AmerAstronauticalSociety? JeromeTeles? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General 21st Century in Space (Advances in the Astronautical Sciences) Amer Astronautical Society? Mo.) Aas Conference 1988 (Saint Louis? George V. Butler? AmerAstronauticalSociety? Mo.)AasConference1988(SaintLouis? GeorgeV.Butler? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Astrodynamics, 1989 Proceedings of the Aas/Aiaa Astrodynamics Conference Held August 7-10, 1989, Stowe, Vermont (Advances in the Astronautical Sciences) Amer Astronautical Society? Aas? Vermont) Aiaa Astrodynamics Conference (1989 Stowe? Catherine L. Thornton? Aiaa Astrodynamics Conference? American Astronautical Society? American Institute of Aeronautics and Astronautics? AmerAstronauticalSociety? Aas? Vermont)AiaaAstrodynamicsConference(1989Stowe? CatherineL.Thornton? AiaaAstrodynamicsConference? AmericanAstronauticalSociety? AmericanInstituteofAeronauticsandAstronautics? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Space Utilization and Applications in the Pacific Proceedings of the Third Pacific Basin International Symposium on Advances in Space Science Technology and Its Applications (Pissta) Held November (Advances in the Astronautical Sciences) Amer Astronautical Society? Pacific Basin International Symposium on Advances in Space Science tec? Peter M. Bainum? American Astronautical Society? AmerAstronauticalSociety? PacificBasinInternationalSymposiumonAdvancesinSpaceSciencetec? PeterM.Bainum? AmericanAstronauticalSociety? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Prospects for Interstellar Travel (Science and Technology Series) Univelt? John H. Mauldin? Univelt? JohnH.Mauldin? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Astronomy-Aeronautics&Astronautics? Astrodynamics 1991 Advances in the Astronautical Sciences, Vol 76, Parts 1, 2, 3 Proceedings of the Aas/Aiaa Astrodynamics Conference Held August (Advances in the Astronautical Sciences) Amer Astronautical Society? Aas? Colo.) Aiaa Astrodynamics Conference (1991 Durango? Bernard Kaufman? K. Terry Alfriend? American Astronautical Society? American Institute of Aeronautics and Astronautics? AmerAstronauticalSociety? Aas? Colo.)AiaaAstrodynamicsConference(1991Durango? BernardKaufman? K.TerryAlfriend? AmericanAstronauticalSociety? AmericanInstituteofAeronauticsandAstronautics? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? International Space Year in the Pacific Basin Proceedings of the Fourth International Space Conference of Pacific-Basin Societies (Iscops, Formerly Pissta) Held November 17-20, 1991, Kyoto, Japan (Advances in the Astronautical Sciences) Amer Astronautical Society? International Space Conference of Pacific-Basin Societies 1991 Kyoto? Gayle L. May? Makoto Nagatomo? Yoshiaiki Ohkami? Peter M. Bainum? American Astronautical Society? AmerAstronauticalSociety? InternationalSpaceConferenceofPacific-BasinSocieties1991Kyoto? GayleL.May? MakotoNagatomo? YoshiaikiOhkami? PeterM.Bainum? AmericanAstronauticalSociety? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Humans and Machines in Space The Vision, the Challenge, the Payoff 29th Goddard Memorial Symposium (Science and Technology Series) Amer Astronautical Society? Bradley Johnson? Gayle L. May? Paula Korn? AmerAstronauticalSociety? BradleyJohnson? GayleL.May? PaulaKorn? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Dynamics of Space Tether Systems (Advances in the Astronautical Sciences) Amer Astronautical Society? Vladimir V. Beletsky? Evgenii M. Levin? American Astronautical Society? AmerAstronauticalSociety? VladimirV.Beletsky? EvgeniiM.Levin? AmericanAstronauticalSociety? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Spaceflight Dynamics 1993 Proceedings of an Aas/Nasa International Symposium Held April 26-30, 1993, Greenbelt, Maryland (Advances in the Astronautical Sciences) Univelt? Jerome Teles? Aas? American Astronautical Society? Gsfc International Symposium on Space Flight Dynamics? Mina V. Samii? Univelt? JeromeTeles? Aas? AmericanAstronauticalSociety? GsfcInternationalSymposiumonSpaceFlightDynamics? MinaV.Samii? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Astrodynamics, 1993 Proceedings of the Aas/Aiaa Astrodynamics Conference Held August 16-19, 1993, Victoria, British Columbia, Canada (Advances in the Astronautical Sciences) Amer Astronautical Society? Aas? B. C.) Aiaa Astrodynamics Conference (1993 Victoria? Vinod J. Modi? Richard Holdaway? Peter M. Bainum? Arun K. Misra? American Astronautical Society? American Institute of Aeronautics and Astronautics? AmerAstronauticalSociety? Aas? B.C.)AiaaAstrodynamicsConference(1993Victoria? VinodJ.Modi? RichardHoldaway? PeterM.Bainum? ArunK.Misra? AmericanAstronauticalSociety? AmericanInstituteofAeronauticsandAstronautics? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Astrodynamics 1995 Proceedings of the Aas/Aiaa Astrodynamics Conference Held February 14-17, 1995, Halifax, Nova Scotia, Canada (Advances in the Astronautical Sciences) Amer Astronautical Society? Aas? N. S.) Aiaa Astrodynamics Conference (1995 Halifax? K. Terry Alfriend? American Astronautical Society? American Institute of Aeronautics and Astronautics? Ronald J. Proulx? AmerAstronauticalSociety? Aas? N.S.)AiaaAstrodynamicsConference(1995Halifax? K.TerryAlfriend? AmericanAstronauticalSociety? AmericanInstituteofAeronauticsandAstronautics? RonaldJ.Proulx? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Strengthening Cooperation in the 21st Century Proceedings of the 6th International Space Conference of Pacific Basin Societies (ISCOPS, formerly PISSTA) held December 6-8, 1995, Marina Del Rey, Ca (Advances in the Astronautical Sciences) Amer Astronautical Society? Peter M. Bainum? Gayle L. May? Yoshiaiki Ohkami? Kuninori T. Uesugi? AmerAstronauticalSociety? PeterM.Bainum? GayleL.May? YoshiaikiOhkami? KuninoriT.Uesugi? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-Astronomy-Aeronautics&Astronautics? Space Safety and Rescue 1994 Proceedings of a Symposium of the International Academy of Astronautics Held in Conjunction With the 45th International Astronautical Federation (Science and Technology Series) Amer Astronautical Society? Israel) Space Safety and Rescue Symposium 1994 (Jerusalem? American Astronautical Society? International Academy of Astronautics? israe International Astronautical Federation Congress 1994 Jerusalem? Gloria W. Heath? AmerAstronauticalSociety? Israel)SpaceSafetyandRescueSymposium1994(Jerusalem? AmericanAstronauticalSociety? InternationalAcademyofAstronautics? israeInternationalAstronauticalFederationCongress1994Jerusalem? GloriaW.Heath? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Astronomy-Astrophysics&SpaceScience? Subjects-Science-General Subjects-Science-Physics-Astrophysics? Case for Mars Iv Mission Strategy and Architectures The International Exploration of Mars--Mission Strategy and Architectures Proceedings of the Fourth Case for Mars Conference Held June 4-8, 1990, at (Science and Technology Series) Amer Astronautical Society? Case for Mars Conference 1990 (University of Colorado)? Thomas R. Meyer? AmerAstronauticalSociety? CaseforMarsConference1990(UniversityofColorado)? ThomasR.Meyer? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Astronomy-Astrophysics&SpaceScience? Subjects-Science-General Subjects-Science-Physics-Astrophysics? Subjects-Science-Astronomy-Aeronautics&Astronautics? Subjects-Science-Astronomy-Astronomy? Subjects-Science-Astronomy-Mars? Case for Mars Iv Considerations for Sending Humans The International Exploration of Mars--Consideration for Sending Humans Proceedings of the Fourth Case for Mars Conference Held June 4-8, 1990, at (Science and Technology Series) Amer Astronautical Society? Case for Mars Conference 1990 (University of Colorado)? Thomas R. Meyer? AmerAstronauticalSociety? CaseforMarsConference1990(UniversityofColorado)? ThomasR.Meyer? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Astronomy-Astrophysics&SpaceScience? Subjects-Science-General Subjects-Science-Physics-Astrophysics? Subjects-Science-Astronomy-Aeronautics&Astronautics? Subjects-Science-Astronomy-Mars? From Imagination to Reality Mars Exploration Studies of the Journal of the British Interplanetary Society Base Building, Colonization and Terraformation (Science and Technology Series) Amer Astronautical Society? American Astronautical Society? British Interplanetary Society? Robert M. Zubrin? AmerAstronauticalSociety? AmericanAstronauticalSociety? BritishInterplanetarySociety? RobertM.Zubrin? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Astronomy-Aeronautics&Astronautics? Subjects-Science-Astronomy-Mars? Space Cooperation into the 21st Century 7th Iscops Nagasaki July 15-18 1997 (Advances in the Astronautical Sciences) Univelt? John E. Cochran? Univelt? JohnE.Cochran? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General History of Rocketry and Astronautics Proceedings of the Twenty-Seventh History Symposium of the International Academy of Astronautics Graz, Austria, 1993 (Aas History Series) Amer Astronautical Society? Philippe Jung? History Symposium of the International A? AmerAstronauticalSociety? PhilippeJung? HistorySymposiumoftheInternationalA? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Astronomy-Astrophysics&SpaceScience? Subjects-Science-General Subjects-Science-Physics-Astrophysics? Subjects-Science-Astronomy-Aeronautics&Astronautics? Space Safety and Rescue 1997 Proceedings of a Symposium of the International Academy of Astronautics Held in Conjunction With the 48th International Astronautical Federation (Science and Technology Series) Amer Astronautical Society? Italy) Space Safety & Rescue Symposium 1997 (Turin? Italy) International Astronautical Congress 1997 (Turin? American Astronautical Society? International Academy of Astronautics? Gloria W. Heath? AmerAstronauticalSociety? Italy)SpaceSafety&RescueSymposium1997(Turin? Italy)InternationalAstronauticalCongress1997(Turin? AmericanAstronauticalSociety? InternationalAcademyofAstronautics? GloriaW.Heath? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Reference? Subjects-Professional&Technical-Engineering-Reference? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Reference-Engineering? Subjects-Science-Astronomy-Aeronautics&Astronautics? Guidance and Control 1999 Amer Astronautical Society? Robert D. Culp? AmerAstronauticalSociety? RobertD.Culp? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Astrodynamics 1999 Proceedings of the Aas/Aiaa Astrodynamics Conference Held August 16-19, 1999, Girdwood, Alaska (Advances in the Astronautical Sciences) Amer Astronautical Society? Aas? Alaska) Aiaa Astrodynamics Conference (1999 Girdwood? Madeleine Bera? Kathleen Collins Howell? Jay W. Middour? Felix R. Hoots? Bernard Kaufman? K. Terry Alfriend? AmerAstronauticalSociety? Aas? Alaska)AiaaAstrodynamicsConference(1999Girdwood? MadeleineBera? KathleenCollinsHowell? JayW.Middour? FelixR.Hoots? BernardKaufman? K.TerryAlfriend? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Astronomy-Astrophysics&SpaceScience? Subjects-Professional&Technical-ProfessionalScience-Physics-Dynamics? Subjects-Science-General Subjects-Science-Physics-Dynamics-General? Subjects-Science-Physics-Astrophysics? Subjects-Science-Astronomy-Aeronautics&Astronautics? Space Debris (Science and Technology Series) Amer Astronautical Society? Joerg Bendisch? AmerAstronauticalSociety? JoergBendisch? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Astronomy-Astrophysics&SpaceScience? Subjects-Science-General Subjects-Science-Physics-Astrophysics? Subjects-Science-Astronomy-Aeronautics&Astronautics? Space Access and Utilization Beyond 2000 (Science and Technology Series) Amer Astronautical Society? Yoji Kondo? Charles Sheffield? Frederick C. Bruhweiler? AmerAstronauticalSociety? YojiKondo? CharlesSheffield? FrederickC.Bruhweiler? ジャンル別? Subjects-Computers&Internet-Databases-SpecificDatabases-Access-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Astronomy-Astrophysics&SpaceScience? Subjects-Science-General Subjects-Science-Physics-Astrophysics? Subjects-Science-Astronomy-Aeronautics&Astronautics? Space Debris 2000 (Science and Technology Series) Amer Astronautical Society? Joerg Bendisch? AmerAstronauticalSociety? JoergBendisch? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Astronomy-Astrophysics&SpaceScience? Subjects-Science-General Subjects-Science-Physics-Astrophysics? Making Time Ethnographies of High-Technology Organizations Temple Univ Pr? Frank A. Dubinskas? TempleUnivPr? FrankA.Dubinskas? ジャンル別? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Engineering-General? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Boat Trailers and Tow Vehicles A User's Guide Intl Marine Pub? Steve Henkel? IntlMarinePub? SteveHenkel? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Outdoors&Nature-OutdoorRecreation-Boating? Subjects-Outdoors&Nature-OutdoorRecreation-Sailing-General? Subjects-Professional&Technical-Engineering-General Subjects-Sports-WaterSports-Boating? Subjects-Sports-WaterSports-Sailing-General? Subjects-Sports-General? Boatyards and Marinas A Boat Owners Guide to Smart Shopping Seven Seas Pr? Ralph Naranjo? SevenSeasPr? RalphNaranjo? ジャンル別? Subjects-Engineering-General? Subjects-History-Military-Naval? Subjects-Outdoors&Nature-OutdoorRecreation-Boating? Subjects-Professional&Technical-Engineering-General Subjects-Sports-WaterSports-Boating? Subjects-Sports-General? Aviation's Golden Age Portraits from the 1920's and 1930's Univ of Iowa Pr? William M. Leary? UnivofIowaPr? WilliamM.Leary? ジャンル別? Subjects-Biographies&Memoirs-General? Subjects-Biographies&Memoirs-Professionals&Academics-Scientists? Subjects-Engineering-General? Subjects-Engineering-Aerospace-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Aerospace-General? Pilots' Directions The Transcontinental Airway and Its History (American Land and Life Series) Univ of Iowa Pr? William M. Leary? UnivofIowaPr? WilliamM.Leary? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General The Treatment and Management of Urban Solid Waste Technomic Pub Co? David G. Wilson? TechnomicPubCo? DavidG.Wilson? ジャンル別? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Boron Reinforced Epoxy Systems (Materials Technology Ser.) Technomic Pub Co? Carlos J. Hildo? TechnomicPubCo? CarlosJ.Hildo? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Boron Reinforced Aluminum Systems (Materials Technology Ser.) Technomic Pub Co? Carlos J. Hildo? Carlos J. Hilado? TechnomicPubCo? CarlosJ.Hildo? CarlosJ.Hilado? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Handbook for the Operation and Maintenance of Air Pollution Control Equipment Technomic Pub Co? Frank Cross? TechnomicPubCo? FrankCross? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-General Encyclopedia/Handbook Materials, Parts and Finishes Technomic Pub Co? Wes Clauser? TechnomicPubCo? WesClauser? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-Science? Subjects-Professional&Technical-Engineering-General Subjects-Reference-Dictionaries&Thesauruses-Science? Subjects-Science-General Subjects-Professional&Technical-Engineering-General 洋書